Answer:

Explanation:
<h3>Adverb:</h3>
- A word that modifies verb, adjective or another adverb is known as an adverb.
- They usually end up with "-ly" but not all.
<h3>Types:</h3>
- Adverb of manner
- Adverb of time
- Adverb of place
- Adverb of frequency
- Adverb of degree
- Adverb of reason
Here, the adverb is nicely because it ends with "-ly".
![\rule[225]{225}{2}](https://tex.z-dn.net/?f=%5Crule%5B225%5D%7B225%7D%7B2%7D)
<em>Although no paragraph is offered, the description of the nightmarish nightmare might be frightful, spooky, and frightening, making one fearful.</em>
I dint follow... is this an open ended question? or is it multiple choice? and to litterally kill one is simple. grab it, and kill it.
B - Bravery
Although you didn't provide the passage, there are various reasons as to why bravery is the answer.
A is incorrect as the Odyssey never focused on democracy as shown through kings of many lands since Odysseus himself was the king of Ithaca with his son being the rightful heir of the throne.
C, knowledge, is incorrect as characters in the Odyssey never valued knowledge. The Odyssey was filled with battles and overcoming hardships, not gaining knowledge and wisdom, thus ruling out C as the possible answer.
D, relaxation, is an answer you can immediately rule out. Throughout the Odyssey, the stories and the movies, you can see that all characters are constantly bustling and working for whatever they hope to accomplish. Although they may value relaxation, they seem to value work more so.
Hope this helps!
Answer:
"Out with the old, in with the new" has resulted in people no longer appreciating the history and artistic integrity of our country's oldest buildings and failing to realize that once "the new" is brought in, "the old" is lost to us forever.
Explanation:
The above is the correct text in the passage that best refines the author's claim about protecting historically significant architecture.
This is true because in the above text, he reveals what has made people to no longer appreciate history and artistic integrity. Then he points out the danger that awaits when "the new" is brought in. Then, "the old" will actually be lost.