They were looking for wealth.
They made many political allies.
They sought a new route to Asia.
They brought Spain great wealth.
They attracted a great deal of interest in Spain.
Jackson Pollock, Lee Krasner, Willem de Kooning, and Mark Rothko are best-known as pioneers of Abstract Expressionism. But all four were also among thousands of artists and other creatives employed by the government through the Works Progress Administration (WPA) between the years of 1935 and 1943. That the arts would be funded significantly by the federal government—never mind that it would actively employ artists—may well raise an eyebrow today. But working under a subdivision of the WPA known as the Federal Art Project, these artists got to work to help the country recover from the Great Depression, as part of President Franklin D. Roosevelt’s New Deal.
Evidence of impoverishment and a portfolio showcasing one’s skills and commitment to the arts were all that was needed to qualify for the WPA initiative. This and the Federal Art Project’s non-discrimination clause meant that it attracted, and hired, not just white men but also artists of color and women who received little attention in the mainstream art world of the day. These artists created posters, murals, paintings, and sculptures to adorn public buildings.
Answer:
to make an exchange of goods and services
New York was initially settled by the English
Answer:
Ramses II ordered the building of structures in the traditional style.
Explanation:
Ramses II often referred to as Ramses the Great, was widely known as one of the Pharaohs of Egypt who ruled between 1279–13 BCE. Among many of his works while he was the King was many structures he ordered to be constructed.
During his reign, many structures were constructed ranging from religious temple to monuments, statues, and personal temple buildings for himself, his Queen Nefertari and his father, and many more.
Hence, it can be concluded that Ramses II ordered the building of structures in the traditional style.
