Answer:
The sentence in the passage that is a sentence fragment is sentence 4.
Explanation:
We can define fragment as a group of words that initially looks like a sentence but that lacks something essential in order to make sense. A fragment can lack, for instance, the subject, or even the predicate.
<u>That is the case with sentence 4: "A dedicated environmentalist himself." What about him? There is no verb, no predicate, nothing.</u> This fragment could become a subject if we added a proper predicate after it. Or, maybe, it is supposed to be an absolute phrase - a phrase that modifies the sentence that follows. But, the way it is now, sentence 4 makes no sense.
<u>A possibility would be replacing the period with a comma and connecting sentences 4 and 5. Notice how that makes more sense:</u>
<u>- A dedicated environmentalist himself, Marco wrote a proposal.</u>
Answer:
I believe the answer is Personal Achievement
Explanation:
If it's correct please mark Brainliest. Thanks!
Answer:
D
Explanation:
my best bet sorry if you get it wrong
events:
1.) I pushed back the curtain to watch the sunrise stealing down a steeple which stands opposite my bedroom window.
2.) the weather vane flashed
3.) Next, it encroached on the tower and caused the index of the dial to glisten like gold as it pointed to the gilded figure of the hour.
hi
Landscape with the Fall of Icarus" is a poem by one of the foremost figures of 20th-century American poetry, William Carlos Williams, first published in Pictures from Brueghel and Other Poems in 1962. The poem is a work of ekphrasis—writing about a piece of visual art—and is part of a cycle of 10 poems inspired by the paintings of 16th-century artist Pieter Bruegel (or Brueghel) the Elder. Both Bruegel's painting and this poem depict the death of Icarus, the mythological figure who died after flying too close to the sun, in a rather unusual way: in both works, Icarus's death—caused by a fall from the sky after the wax holding his artificial wings together melted—is hardly a blip on the radar of the nearby townspeople, whose attention is turned instead toward the rhythms of daily life. Tragedy is thus presented as a question of perspective, something that depends on how close one is (literally and emotionally) to the event in question.
