What is it they you are trying to say.
Answer:
Dear Catherine,
Good morning from Austin, Texas! School started today and I am starting to like this very much. Part of this is due to my amazing teacher. She's nice and sweet but teaches, well, stopping to keep all students on the same track. I feel as though we can talk about anything with her as well. I was talking about something totally random during class and she seemed understanding, even connecting it back to the main topic. I am so blessed to have gotten such an amazing, dedicated teacher.
Miss you,
Amy
In F. Scott Fitzgerald's novel The Great Gatsby, Nick Carraway feels that Daisy and Gatsby's relation will most certainly end poorly. Nick believes that the couple's relationship is structured upon illusion, at least on the part of Gatsby. Nick believes that Gatsby is attempting, through his relationship with Daisy, to relive the past in order to create a new future. Furthermore, Nick feels that Daisy's affections for Gatsby is owed not to any sort of true, emotional love, but rather an attraction to his wealth.
The number 3 is everywhere in Dante Alighieri's Divine Comedy<span>. For one thing, the poem itself is structured according to the rhyme scheme terza rima, which uses stanzas of three lines that employ interlocking rhymes (aba bcb cdc, etc.). Additionally, there are nine circles of Hell (three multiplied by three), Satan has three faces, and three beasts (a lion, a leopard, and a wolf) threaten Dante at the beginning of the Inferno. There are many more examples of three, but the overall important thing to understand is that the number three largely governs the structure of Dante's poem. Indeed, you can think of the number three as the scaffolding on which the rest of the poem's content is hung. This number is significant because three is a central number in the Judaeo-Christian tradition, especially in terms of the Trinity (Father, Son, and Holy Spirit). As such, just as the whole of the Christian world is governed by a three-in-one God, Dante's poem is governed by the number three. Thus, Dante's obsession with the number three mirrors the prevalence of three in the Christian tradition. </span><span />
