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Viktor [21]
3 years ago
9

O Captain! my Captain! our fearful trip is done; The ship has weather'd every rack, the prize we sought is won; The port is near

, the bells I hear, the people all exulting, While follow eyes the steady keel, the vessel grim and daring: But O heart! heart! heart! O the bleeding drops of red, Where on the deck my Captain lies, Fallen cold and dead. O Captain! my Captain! rise up and hear the bells; Rise up—for you the flag is flung—for you the bugle trills; For you bouquets and ribbon'd wreaths—for you the shores a—crowding; For you they call, the swaying mass, their eager faces turning; Here Captain! dear father! This arm beneath your head; It is some dream that on the deck, You've fallen cold and dead. My Captain does not answer, his lips are pale and still; My father does not feel my arm, he has no pulse nor will; The ship is anchor'd safe and sound, its voyage closed and done; From fearful trip, the victor ship, comes in with object won; Exult, O shores, and ring, O bells! But I, with mournful tread, Walk the deck my Captain lies, Fallen cold and dead. In one paragraph of at least three to five sentences, analyze the imagery in the stanza in bold. Identify the mood the author intended to create with this imagery, as well as the connotations used in the diction. Use proper spelling and grammar.
English
1 answer:
dmitriy555 [2]3 years ago
5 0
What are you trying to figure out?
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<h2>D</h2>

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Mariulka [41]

Answer:

Martin Luther King Jr. is an inspiration to me. He was born Jaunary 13, 1929, and attended Morehouse College at the age of 15. Martin was inspired by Henry David Thoreau, Mahatma Gandhi, and many influental leaders of the past. He led the Montgomery bus boycott in 1955, and was arrested for peacefully protesting in 1960. Based on MLK’s work, the Interstate Commerce Commission banned segregation in interstate travel. On June 23, he led a group of 125,000 people in a Freedom Walk in Detroit, and on August 28, he joins more than 250,000 people in the March on Washington and delivers the famous “I Have a Dream” speech. He was awarded with the Nobel Peace Prize in 1964, and unfortunately was assinated in 1968, at the age of only 39.

Despite all the hatred and discrimination he endured, he kept a peaceful outlook. Non-violent protesting was his method against racism. Looking at his life, we can learn that hate cannot drive out hate, only love can do that.

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yuradex [85]

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In this section, Whitman breaks out of enclosures, whether they be physical enclosures or mental ones. In one of his early notebooks, Whitman had drafted the line “Literature is full of perfumes,” a recognition that books and philosophies and religions all offer filtered versions of how to view the world. They are all “intoxicating”—alluring, to be sure, but also toxic. We are always tempted to live our lives according to the views of those who came before us, but Whitman urges us to escape such enclosures, open up the senses fully, and breathe the undistilled atmosphere itself. It is in this literal act of breathing that we gain our “inspiration,” the actual breathing in of the world. In this section, Whitman records the physicality of singing, of speaking a poem: a poem, he reminds us, does not derive from the mind or the soul but from the body. Our inspiration comes from our respiration, and the poem is “the smoke of my own breath,” the breathing of the atoms of the air back out into the world again as song. Poems are written, Whitman indicates here, with the lungs and the heart and the hands and the genitals—with the air oxygenating our blood in the lungs and pumping it to our brain and every part of our body. We write (just as we read) with our bodies as much as our minds.

The poet in this section allows the world to be in naked contact with him, until he can feel at one with what before had been separate—the roots and vines now seem part of the same erotic flow that he feels in his own naked body (“love-root, silk-thread, crotch and vine”), and he is aware of contact and exchange, as he breathes the world in only to breathe it back again as an undistilled poem. All the senses are evoked here—smell (“sniff of green leaves”), hearing (“The sound of the belch’d words of my voice”), touch (“A few light kisses”), sight (“The play of shine and shade”), taste (“The smoke of my own breath,” that “smoke” the sign of a newly found fire within).

Now Whitman gently mocks those who feel they have mastered the arts of reading and interpretation. As we read this poem, Whitman wonders if we have “felt so proud to get at the meaning of poems,” and he invites us now to spend a “day and night” with him as we read “Song of Myself,” a poem that does not hide its meanings and require occult hermeneutics to understand it. Rather, he offers up his poem as one that emerges from the undistilled and unfiltered sources of nature, the words “belch’d” (uttered, cried out, violently ejected, bellowed) instead of manicured and shaped. This is a poem, Whitman suggests, that does not want to become a guide or a “creed,” but one that wants to make you experience the world with your own eyes. We take in this poet’s words, and then “filter them” from our selves, just like we do with the atmosphere and all the floating, mingling atoms of the world.

–EF

Can you please mark as brainliest?

6 0
3 years ago
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