Well, you own what is in your title, which means your lawn, and sometimes mineral but not always.
Answer:
c. deviance is a product of economic conditions and is culturally passed from one generation to the next.
Explanation:
In sociology, the cultural transmission perspective was developed first by University of Chicago theorists who analyzed the records of county juvenile court records and after this analysis they reached the conclusion that the r<u>ates of delinquency decreased as they were farther away from the center of the city while the rates remained stable across the city neighborhoods</u>. Then, they concluded that this happened because <u>there were some characteristics inside the city and the city environment that sustained this criminal behavior (most likely attributed to economic conditions). </u>Therefore, if we generalize this idea, they concluded that <u>the city acts as a host for deviant behavior and these behaviors and countercultures are passed from one generation to the next thanks to this system. </u>
Therefore, The cultural transmission perspective was developed in part from the research of a group of sociologists at the University of Chicago who concluded that c. deviance is a product of economic conditions and is culturally passed from one generation to the next.
During the pandemic we had to go into quarantine. During this time everyone had to adjust to this new way of life, wearing masks, school being virtual, etc.
Explanation:
Answer:
Some changes are described below.
Explanation:
- The cardiac rate has increased throughout exercise training, diminishes rapidly higher-intensity exercise.
- Systolic BP dramatically because as diastolic remains close to something like the base point.
- During that moment, there's often a decrease throughout BP which can go underneath the values of before the exercise.
- The rate needs to continue to undermine all through recovery, restoring to exercise concentrations as principles of BP comparably come back to everyone's training.
Explanation:
Jhyali (Nepali: झ्याली) is a traditional folk percussion instrument from Nepal. They are thinly walled, consist of a pair of round, metal plates, resembling cymbals, and are used in both folk and classical music in Nepal. Unlike most percussion instruments around the world.
Panche baja instruments: dholak (drums), tyamko (small kettledrums, leaning on dholak drums), narsiha (a long, S-shaped trumpet), Karnal (a wide-mouthed, straight trumpet, shehnai (a folk oboe, right of karnal), damaha (large kettledrum), and jhyali (cymbals).
These percussion instruments are made by a Nepali alloy that is called pancha dhatu, which means five metals. The alloy consists of brass, copper, silver, zinc and gold, and are usually made by blacksmiths.
<u>Hope</u><u> </u><u>it</u><u> </u><u>helps</u>
