Answer:
The right choice is:
Germany, Italy, and Japan
Explanation:
This is the coalition of the three fascist states in World War Two. They signed a treaty for mutual defense. It included a clause stipulating that if another nation declared war on one of the members of this alliance, then the other members of the Axis Powers would declare war on that third nation. Thus, Nazi Germany declared war on the USA following the Japanese attack on Pearl Harbor.
A state constitution is important to each individual state. However, a state constitution does not establish the different types of local governments in each city. That process must be made by the cities themselves.
Answer:
C or A
Explanation:
Pretty sure it is C
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Answer: “Birth of a Nation”—D. W. Griffith’s disgustingly racist yet titanically original 1915 feature—back to the fore. The movie, set mainly in a South Carolina town before and after the Civil War, depicts slavery in a halcyon light, presents blacks as good for little but subservient labor, and shows them, during Reconstruction, to have been goaded by the Radical Republicans into asserting an abusive dominion over Southern whites. It depicts freedmen as interested, above all, in intermarriage, indulging in legally sanctioned excess and vengeful violence mainly to coerce white women into sexual relations. It shows Southern whites forming the Ku Klux Klan to defend themselves against such abominations and to spur the “Aryan” cause overall. The movie asserts that the white-sheet-clad death squad served justice summarily and that, by denying blacks the right to vote and keeping them generally apart and subordinate, it restored order and civilization to the South.
“Birth of a Nation,” which runs more than three hours, was sold as a sensation and became one; it was shown at gala screenings, with expensive tickets. It was also the subject of protest by civil-rights organizations and critiques by clergymen and editorialists, and for good reason: “Birth of a Nation” proved horrifically effective at sparking violence against blacks in many cities. Given these circumstances, it’s hard to understand why Griffith’s film merits anything but a place in the dustbin of history, as an abomination worthy solely of autopsy in the study of social and aesthetic pathology.
Answer:
germany, italy, and japan.
