C. Teenagers Between 13 To 18
As Adults From 50 To 60 Don’t Like Modern Music As Much As Teenagers
And Even People Over 70’s Also
And Children Between 3 To 10 As They Don’t Even Know Modern Music As Much As Teenagers Know.
Hope It Helps U
Please Mark As Brainliest
<span>Catholic AnswerA Bishop is a man who was a priest and has been consecrated by another Bishop in the Apostolic succession. He enjoins the fullness of Christ's priesthood and rules over a diocese as a successor to the Apostles. from Modern Catholic Dictionary by John A. Hardon, S.J. Doubleday & Co., Inc. Garden City, NY 1980 Bishop A successor of the Apostle who has received the fullness of Christ's priesthood. His most distinctive power, that of ordaining priests and other bishops, belongs uniquely to a bishop. Moreover, in spite of some disputed cases in history, it is highly probably that a priest would not be authorized by the Holy See to ordain another priest. A priest certainly cannot consecrate a bishop. In the ordination of a bishop the "matter" is the imposition of hands on the head of the bishop-elect by the consecrating bishops, or at least by the principal consecrator, which is done in silence before the consecratory prayer; the "form" consists of the words of the consecratory prayer, of which the following pertains to the essence of the order, and therefore are required for the validity of the act: "Now pour out upon this chosen one that power which flows from you, the perfect Spirit whom He gave to the apostles, who established the Church in every place as the sanctuary where your name would always be praised and glorified." (Etym. Greek episkopos, a bishop, literally, overseer)</span>
There are several phrases associated with the Statue of Liberty, but the most recognizable is “Give me your tired, your poor, your huddled masses yearning to breathe free.” This quote comes from Emma Lazarus’ sonnet, New Colossus, which she wrote for a fundraiser auction to raise money for the pedestal upon which the Statue of Liberty now sits. The poem did not receive much recognition and was quite forgotten after the auction.
In the early 1900s and after Lazarus’ death, one of her friends began a campaign to memorialize Lazarus and her New Colossus sonnet. The effort was a success, and a plaque with the poem’s text was mounted inside the pedestal of the statue
