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Explanation:
Surrealism, movement in visual art and literature, flourishing in Europe between World Wars I and II. Surrealism grew principally out of the earlier Dada movement, which before World War I produced works of anti-art that deliberately defied reason; but Surrealism’s emphasis was not on negation but on positive expression. The movement represented a reaction against what its members saw as the destruction wrought by the “rationalism” that had guided European culture and politics in the past and that had culminated in the horrors of World War I. According to the major spokesman of the movement, the poet and critic André Breton, who published The Surrealist Manifesto in 1924, Surrealism was a means of reuniting conscious and unconscious realms of experience so completely that the world of dream and fantasy would be joined to the everyday rational world in “an absolute reality, a surreality.” Drawing heavily on theories adapted from Sigmund Freud, Breton saw the unconscious as the wellspring of the imagination. He defined genius in terms of accessibility to this normally untapped realm, which, he believed, could be attained by poets and painters alike.
Artistic value in a person when they're painting or performing art is an expressive technique for us to understand their contextual upbringings. Like music or other forms of art, composers and artists value their context as being the fundamental and concrete moral when they're doing art. Certain attributes connote to specific timespans and as we grow older to appreciate composers' artistic flair, the more we begin to understand about their past.
An exemplified example is a cinematic example, Metropolis (1927), this film is regarded as the forefront of modernist views, a pioneer that was underrated during its time. The dark ambiance, yet subtle hints at the destruction of the new sparked a new generation of Modernist and Post-Modernist views. Fritz Lang's use of silence in this film was a crucial cinematic technique during the 1920's, and with this being one of the last standing silent films, we know straight away that it is from that generation or that context.
Context also allows us to understand certain morale during the creation of art and we begin to contemplate with a change in perspectives, particularly when watching a film. Understanding context allows us, as responders, to truly be captivated by Da Vinci's The Last Supper or Van Gogh's Starry, Starry Night as we begin to dive into the minds of these people and their upbringings.
Answer:
A. at the time of Napoleon's invasion of Vienna
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