Answer:
On the oceans of the Earth, gravity and inertia work in opposition, causing tidal bulges on opposite sides of the planet. The moon's gravitational force pulls the ocean's waters toward it on the "near" side of the Earth (the side facing the moon), resulting in a bulge.
Explanation:
Answer: Brazil independence
Explanation:” September 7, 1822, Prince Dom Pedro declared Brazil's independence from Portugal, founding the Empire of Brazil, which led to a two-year war of independence. Formal recognition came with a treaty signed by both Brazil and Portugal in late 1825.”
Answer:
1. Incised meander.
2. Base level.
3. Terrace.
4. Lake
5. Meander.
6. Floodplain.
Explanation:
Erosion can be defined as a geological process which typically involves the wearing out of earthen (soil) materials and the transportation of these materials by natural forces like water, wind, etc. Soil erosion is greatest when the soil is steep.
The steepness of a body such as river or stream refers to the downward slope or gradient of the body of water.
Generally, the steepness of a body affects the rate at which other materials would flow or move around. Thus, the steeper a river or stream, the greater would be its rate of erosion.
Some of the characteristics of an erosion include the following;
1. An incised meander is a bend in a steep narrow bedrock valley. It avails a river large amount of vertical erosion power and as such enabling a downcut.
2. The lowest level to which a stream can erode is called a base level. Some examples are dam, waterfall, lake, stream, etc.
3. A terrace is the remnant of a former floodplain.
4. Examples of local base level include a stream or a lake.
5. A sweeping bend of a stream which is migrating laterally in a wide, flat valley is called a meander.
6. The flat, broad area surrounding a stream is referred to as a floodplain.
France is the birthplace of cinema and was responsible for many of its significant contributions to the art form and the film-making process itself.[3] Several important cinematic movements, including the Nouvelle Vague, began in the country. It is noted for having a particularly strong film industry, due in part to protections afforded by the French government.[3]
Apart from its strong and innovative film tradition, France has also been a gathering spot for artists from across Europe and the world. For this reason, French cinema is sometimes intertwined with the cinema of foreign nations. Directors from nations such as Poland (Roman Polanski, Krzysztof Kieślowski, and Andrzej Żuławski), Argentina (Gaspar Noé and Edgardo Cozarinsky), Russia (Alexandre Alexeieff, Anatole Litvak), Austria (Michael Haneke), and Georgia (Géla Babluani, Otar Iosseliani) are prominent in the ranks of French cinema. Conversely, French directors have had prolific and influential careers in other countries, such as Luc Besson, Jacques Tourneur, or Francis Veber in the United States.
Another element supporting this fact is that Paris has the highest density of cinemas in the world, measured by the number of movie theaters per inhabitant,[4] and that in most "downtown Paris" movie theaters, foreign movies which would be secluded to "art houses" cinemas in other places are shown alongside "mainstream" works. Philippe Binant realized, on 2 February 2000, the first digital cinema projection in Europe, with the DLP CINEMA technology developed by Texas Instruments, in Paris.[5][6][7] Paris also boasts the Cité du cinéma, a major studio north of the city, and Disney Studio, a theme park devoted to the cinema and the third theme park near the city behind Disneyland and Parc Asterix.[8]
France is the most successful film industry in Europe in terms of number of films produced per annum, with a record-breaking 300 feature-length films produced in 2015.[9] France is also one of the few countries where non-American productions have the biggest share: American films only represented 44.9% of total admissions in 2014. This is largely due to the commercial strength of domestic productions, which accounted for 44,5% of admissions in 2014 (35.5% in 2015; 35.3% in 2016).[10] Also, the French film industry is closer to being entirely self-sufficient than any other country in Europe, recovering around 80–90% of costs from revenues generated in the domestic market alone.[11]
Answer:
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Explanation:
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