Metaphysical poetry in the seventeenth century broke away from conventions of lyrical poetry. The difference is apparent in the choice of cacophonous imagery...
Johnson put five poets in this category: John Donne, Andrew Marvel, George Herbert, Richard Crashaw, and Henry Vaughan. However, they never worked as an organized literary movement. They didn't even read each other. It is only today that we can consider them akin.
As for cacophonous imagery, it was one of their foremost characteristics. The word choices and similes would often be shocking and unusual, not just for their own time but even later. For example, comparing two lovers' souls with two compasses in Donne's A Valediction Forbidding Mourning.
Answer:
None of the answers are great.
However the only relevant choice is : " It creates an eager mood by repeating actions taken
and observed by the narrator."
In "<em>The Stranger</em>", by Albert Camus, Meursault describes shooting the Arab after he's already dead as follows:
"I knew I’d shattered the balance of the day, thespacious calm of this beach on which I had been happy. But I fired four shots more into the inert body, on which they left no visible trace. And each successive shot was another loud, fateful rap on the door of my undoing."
He describes it as <em>knocking loudly on the door of his downfall</em>.
If you're trying to add a word to the next sentence it could either be "Although" or "However". The second option sounds better than the first though