Answer:
i like soccer (change the word them to he or she if they r a girl or boy)
Explanation:
My friend can do it by going to the soccer feild together and playing a game. For example, l can give them a list of things to do and we can start practicing. If l wanted to show them how to shoot a goal, I can teach them by showing each of the steps to get good at it. Also, I can show them each position in the field and help them by saying what the certain jobs the postition does.
Answer:
Ovid’s theme depicts that ignoring a child leads to tragedy death and suffering , whereas Auden argues that tragedies may go unnoticed.
Explanation:
Musee des Beaux Arts relates around suffering more than Auden who puts more emphasis on the story of Icarus , whereby Icarus dies to mark a milestone , the death signifies tragedy , that comes as a result of negligence .
Answer:
Sophia's life flashed before her eyes. "Jessica! Jessica help me up!" Sophia's fingers were sliping. If Jessica didn't help her out Sophia would fall to her doom.
"No way! You stole Daniel from me and now you must pay!" Jessica roared.
Sophia scream right back at her, "I did not! He is my best friend! That's all we are! Please- AHHH!!!" Sophia hung only by one hand. She had tears running down her face. All she had done was hug Daniel. 2 fingers left on the cliff and Jessica still didn't care. "Jessica help me! Please! I'll explain everything!"
Jessica looked at Sophia. She noticed how honest and weak she looked. She grabbed Sophia's arm and hauled her up. "Start speaking before I push you off this mountain."
"I've been friends with Daniel since I was 5. He is a brother to me. Jessica, I would NEVER love him any other way. Please, believe me. You can push me off now that you heard me." Sophia as trustworthy as ever stood there. Knowing that Jessica would push her off.
"Can you forgive me Sophia?"
"I'll always forgive you. No matter what you do."
"In that case..." Jessica pushed Sophia of the cliff.
It had been the most surprising thing that had ever happened to them, and probably ever would.
Answer:The poets of the next generation shared their predecessors’ passion for liberty (now set in a new perspective by the Napoleonic Wars) and were in a position to learn from their experiments. Percy Bysshe Shelley in particular was deeply interested in politics, coming early under the spell of the anarchist views of William Godwin, whose Enquiry Concerning Political Justice had appeared in 1793. Shelley’s revolutionary ardour caused him to claim in his critical essay “A Defence of Poetry” (1821, published 1840) that “the most unfailing herald, companion, and follower of the awakening of a great people to work a beneficial change in opinion or institution, is poetry,” and that poets are “the unacknowledged legislators of the world.” This fervour burns throughout the early Queen Mab (1813), the long Laon and Cythna (retitled The Revolt of Islam, 1818), and the lyrical drama Prometheus Unbound (1820). Shelley saw himself at once as poet and prophet, as the fine “Ode to the West
Explanation:
A supporter or a helping jand
