<span>Alan's behavior best exemplifies projection. The
projection is a defense mechanism described by Sigmund Freud which
indicates that the person attributes to other thoughts, feelings or
impulses that are his own but that he refuses to accept because this
would generate considerable emotional discomfort. <span>In addition to this mechanism in his theory, Freud conceptualized other defense mechanisms, such as denial or transference.
I hope my answer can help you.
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Answer:
Presidios
Explanation:
Spain built "presidios" on the borders of New Spain to convert Native Americans to Christianity. These presidios were internment facilities, where indigenous people were forced to abandon their cultural interests and religions and convert to Cirstianism, adopting Christian concepts that should be followed at any cost. This was done because the Spaniards believed that indigenous people were not evil, but rather ingenious souls that could be purified if forced into Christianity.
The British wanted to control South Africa because it was one of the trade routes to India
'Vassals were the lowest class in the newly established government system's hierarchy.
<h3>
What is hierarchy?</h3>
A hierarchy is an arrangement of items (objects, names, values, categories, and so on). Hierarchy is a key concept in many disciplines, including architecture, philosophy, design, mathematics, computer science, organizational theory, systems theory, systematic biology, and social sciences.
A hierarchy can connect entities directly or indirectly, and it can connect entities vertically or diagonally. In a hierarchical system, the only direct links are to one's immediate superior or to one of one's subordinates, though a largely hierarchical system can also incorporate alternative hierarchies. Hierarchical links can extend "vertically" upwards or downwards by following a path with multiple links in the same direction.
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Any consideration of the human body carries with it the implication of the divide, real or perceived, between sacred and secular art.
The meanings and functions of the numerous points at which art and religion converge are investigated in studies of visual representations of the human body. Any consideration of the human body carries with it the implication of the divide, real or perceived, between sacred and secular art. The artistic and religious aspects of the human form reveal societal norms and ideals regarding gender, figurative art, and the interaction between the human and divine. The fundamental question is whether religious art must depict human figures.
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