Answer:
1. <em>Brooding</em> goes with a. moody, sullen, or unhappy in thought.
2. <em>Scrupulous</em> goes with c. concerned with avoiding wrong actions.
3. <em>Hedge</em> goes with g. a boundary formed by bushes or shrubs.
4. <em>Abstain</em> goes with e. restrain oneself from doing something.
5. <em>Trellis</em> goes with d. a support made from metal or wood for plants or vines to lean on.
6. <em>Constraints</em> goes with f. limitations or restrictions.
7. <em>Lavish </em>goes with h. expensive and elaborate.
8. <em>Ravishing</em> goes with b. beautiful.
"The Raven" is a poem by American author Edgar Allan Poe. The poem was published in 1845, and became an instant sensation due to its many striking characteristics.
The poem employs rhyme in a way that provides an extremely musical tone to the work. Moreover, the language is vivid and stylized, and Poe employs imagery that creates a supernatural atmosphere. This allows the many devices employed (alliteration, assonance, repetition, etc.) to contribute to the meaning of the poem.
Moreover, "The Raven" reflects many of the common topics of the time. The death of beautiful women due to consumption is a common theme during this time period. The poem appeals both to ideas of the Romantic, as well as to the culture of mourning that developed around such deaths. In the poem, a young student receives the visit of a raven, which keeps reminding him of the recent death of his girlfriend. The poem traces the man's descent into madness. The development of the poem and the ideas that Poe had about it are explained carefully in his text "The Philosophy of Composition."
Odysseus is probably best known as the eponymous hero of the Odyssey. This epic describes his travails, which lasted for 10 years, as he tries to return home after the Trojan War and reassert his place as rightful king of Ithaca.
Ithaca is Odysseus's kingdom :)
Answer:
Explanation:
The Declaration of Independence is perhaps the most masterfully written state paper of Western civilization. As Moses Coit Tyler noted almost a century ago, no assessment of it can be complete without taking into account its extraordinary merits as a work of political prose style. Although many scholars have recognized those merits, there are surprisingly few sustained studies of the stylistic artistry of the Declaration.1 This essay seeks to illuminate that artistry by probing the discourse microscopically--at the level of the sentence, phrase, word, and syllable. By approaching the Declaration in this way, we can shed light both on its literary qualities and on its rhetorical power as a work designed to convince a "candid world" that the American colonies were justified in seeking to establish themselves as an independent nation.2
The text of the Declaration can be divided into five sections--the introduction, the preamble, the indictment of George III, the denunciation of the British people, and the conclusion. Because space does not permit us to explicate each section in full detail, we shall select features from each that illustrate the stylistic artistry of the Declaration as a whole.3
The introduction consists of the first paragraph--a single, lengthy, periodic sentence:
When in the Course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Nature's God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.4
