Renaissance composers started using word painting, which was a musical expression of the emotion in the words of a musical piece. For example, if the words described a sad event, the music would be slow and set to minor keys and if the words described joy, the music would be fast-paced and set to a major key.
Answer:
Explanation:
My
My
My
My
My
My
My
My boy's being sus and he don't know how to cuss
He just sounds like he's tryna be his father (Who are you?)
My boy's an ugly crier but he's such a pretty liar and by that I mean he said he'd "change"
My boy, my boy, my boy
Don't love me like he promised
My boy, my boy, my boy
He ain't a man and sure as hell ain't honest
My boy
My, my boy
My boy
My boy
My, my boy
My boy
My boy
My, my boy
My, my
T-R-O-Y
B-O-I-O
My
My
My
My
My
My
(Alright dude, go trip over a knife)
My boy, my boy
(Alright dude, go trip over a knife)
My boy, my boy, my boy
Don't love me like he promised
My boy, my boy, my boy
He ain't a man and sure as hell ain't honest
You want me to be yours well then you gotta be mine
And if you want a good girl, then goodbye
You want me to be yours well then you gotta be mine
And if you want a good girl, then goodbye
My
My
My
My
My
My
My
B-O-I (Oh)
Answer:
Films
Explanation:
Matthew Barney’s epic Cremaster cycle (1994–2002) is a self-enclosed aesthetic system consisting of five feature-length films that explore processes of creation. The cycle unfolds not just cinematically, but also through the photographs, drawings, sculptures, and installations the artist produces in conjunction with each episode. Its conceptual departure point is the male cremaster muscle, which controls testicular contractions in response to external stimuli. The project is rife with anatomical allusions to the position of the reproductive organs during the embryonic process of sexual differentiation: Cremaster 1 represents the most “ascended” or undifferentiated state, Cremaster 5 the most “descended” or differentiated. The cycle repeatedly returns to those moments during early sexual development in which the outcome of the process is still unknown—in Barney’s metaphoric universe, these moments represent a condition of pure potentiality.
B. (Studious) Lucy lay on her bed reading a back issue of National Geographic.
