I’m bot completely sure, but since there is minimal shadowing, I would say the technique is contouring
The correct answer to this open question is the following.
It seems that your question is incomplete.
Indeed, there is no question here, just a sentence.
What is your question? What do you want to know?
However, trying to help you we did some deep research and found a similar question that provides the name of animals and you have to write the sound these animals make.
If that is the case, we can say the following:
Duck- cuac.
Cat- miau.
Frog- croac.
Dog- guaf.
Rooster- kikiriki.
Cow- muuuu.
Onomatopeia is a word that is formed from a sound.
Argentinan author Quino created the character of Mafalda in 1964. He wrote a series of comics strips in which Mafalda lives everyday life issues that can be compared to international issues that affect people all over the world.
Answer: the figure wearing black clothes on the bridge is in shock, screaming. in the background is a colorful chaos of colors, ranging from the vibrant red to the deep grayish blue. further behind the figure are two people, appearing to stand still.
hope this helped!
Answer:
The artist gets a flat piece of fine grained wood of whatever size they want, and then cuts a design or pattern into the surface, keeping the surface flat. This is then used as a block which is inked and paper is pressed against it, creating a print. So the meaning can be either the block itself or the print made from it.
Hope this helps!
Answer:
Symbolism
Explanation:
This is not the full question as it is missing the options. They are as following:
- Neo-Impressionism
- Symbolism
- Impressionism
- the Pre-Raphaelites
<u>Gustave Moreau is one of the major figures of symbolism, as one of the painters that portended it. </u>
His work had Biblical themes but represented in symbolic aspects. <u>Desires, emotions, divinity, and mortality were painted in abstract forms and emblematic manner, full of different symbols</u>, sometimes even reminding us of surrealism that was yet to come.
