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Bhutanese art is similar to Tibetan art. Both are based upon Vajrayana Buddhism and its pantheon of teachers and divine beings.
The major orders of Buddhism in Bhutan are the Drukpa Lineage and the Nyingma. The former is a branch of the Kagyu school and is known for paintings documenting the lineage of Buddhist masters and the 70 Je Khenpo (leaders of the Bhutanese monastic establishment). The Nyingma school is known for images of Padmasambhava ("Guru Rinpoche"), who is credited with introducing Buddhism into Bhutan in the 7th century. According to legend, Padmasambhava hid sacred treasures for future Buddhist masters, especially Pema Lingpa, to find. Tertöns are also frequent subjects of Nyingma art.
Each divine being is assigned special shapes, colors, and/or identifying objects, such as lotus, conch-shell, thunderbolt, and begging bowl. All sacred images are made to exact specifications that have remained remarkably unchanged for centuries.
Bhutanese art is particularly rich in bronzes of different kinds that are collectively known by the name Kham-so (made in Kham) even though they are made in Bhutan because the technique of making them was originally imported from that region of Tibet. Wall paintings and sculptures, in these regions, are formulated on the principal ageless ideals of Buddhist art forms. Even though their emphasis on detail is derived from Tibetan models, their origins can be discerned easily, despite the profusely embroidered garments and glittering ornaments with which these figures are lavishly covered. In the grotesque world of demons, the artists apparently had a greater freedom of action than when modeling images of divine beings.
The arts and crafts of Bhutan that represents the exclusive "spirit and identity of the Himalayan kingdom" is defined as the art of Zorig Chosum, which means the “thirteen arts and crafts of Bhutan”; the thirteen crafts are carpentry, painting, paper making, blacksmithery, weaving, sculpting and many other crafts. The Institute of Zorig Chosum in Thimphu is the premier institution of traditional arts and crafts set up by the Government of Bhutan with the sole objective of preserving the rich culture and tradition of Bhutan and training students in all traditional art forms; there is another similar institution in eastern Bhutan known as Trashi Yangtse. Bhutanese rural life is also displayed in the Folk Heritage Museum in Thimphu. There is also a Voluntary Artists Studio in Thimphu to encourage and promote the art forms among the youth of Thimphu.
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Digital technologies have advanced more rapidly than any innovation in our history – reaching around 50 per cent of the developing world's population in only two decades and transforming societies. By enhancing connectivity, financial inclusion, access to trade and public services, technology can be a great equaliser.
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The success of individuals such as Thomas Edison and Alexander Graham Bell changed American culture because: A) Their success encouraged people to experiment and invent new products. Thomas Edison was successful in inventing things like the light bulb and the phonograph. Alexander Graham Bell was successful in inventing the telephone as well as the first successful metal detector. These successes by these men helped encourage the American people to experiment more and invent new things.
The correct answer is B.
Lincoln Steffens (1866-1936) was a US journalist who was part of the generation of the muckrakers, because he dedicated his career to investigate corruption in the governments of US cities, and he severely attacked institutions and leaders for their inherent corruption.
He wrote the book <em>"The Shame of the Cities", </em>structured as a collection of articles. The purpouse of this work was, not to state the existence of corruption or to describe different manifestations of it, but to draw attention on the fact that it existed because citizens did nothing to stop it and, therefore, that citizens had become partners in crime.
Im like 99% sure the answer is A.. hope this helped!!