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slega [8]
2 years ago
6

explain the reasoning behind president wilsons concept of "peace without victory" do you think it is a viable idea?

History
2 answers:
lions [1.4K]2 years ago
7 0

it means peace without war.


sweet [91]2 years ago
5 0
It means peace without a war and it could be viable if people used documents and words to solve problems instead of violence
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Most of the whole point was that the masters could keep them in debt as long as they wanted, and not let them keep the land. People who participated in this system could get out of debt by <span>fleeing to the north and west to leave their debts behind.

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In the late 1800s , the granger was arranged so that farmers joined ?
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In the late 1800s, the Granger movement was arranged so that farmers joined the movement of Farmer's Alliance.

<h3>What was the Granger Movement?</h3>

The Granger Movement began in the United States during the late 19th century, the foundation of which was led by Oliver Hudson Kelley. Its main intention was to bring swiftness in a rather inefficient farm practices in the society.

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Progressives challenged how society should view/use nature (conservation movement). The Conservationists believed that
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What were some of the biggest obstacles to the gagaku ensemble while touring Europe? PLSSSSSSsSSS HELP
olga2289 [7]

Answer:

Here is some information about that!

Explanation:

The prototype of gagaku was introduced into Japan with Buddhism from China. In 589, Japanese official diplomatic delegations were sent to China (during the Sui dynasty) to learn Chinese culture, including Chinese court music. By the 7th century, the koto (a zither) and the biwa (a short-necked lute) had been introduced into Japan from China. Various instruments, including these two, were the earliest used to play gagaku.

Even though the Japanese use the same term 雅楽 (yǎyuè in Mandarin Chinese, ngahngohk in Cantonese), the form of music imported from China was primarily banquet music engaku rather than the ceremonial music of the Chinese yǎyuè. The importation of music peaked during the Tang Dynasty, and these pieces are called Tōgaku (Tang music). Gagaku pieces earlier than Tang Dynasty are called kogaku (ancient music), while those from after the Tang Dynasty are called shingaku (new music). The term gagaku itself was first recorded in 701, when the first imperial academy of music Gagakuryō was established.[5]

Music from the Korean kingdom of Goguryeo, which is pronounced Koma in Japanese, had been recorded as early as 453 AD, and komagaku was eventually used as a term that covered all Korean pieces. Komagaku and Tōgaku became established in southern Japan during the Nara period (710–794). In 736, music from India and Vietnam were also introduced and these are called Tenjikugaku (天竺楽) and Rinyūgaku (林邑楽) respectively.

In the 8th century, during the Nara period, gagaku was performed at national events, such as the erection of the Great Buddha of Todai-ji Temple, by organizing gagaku performance groups at large temples.

From the 9th century to the 10th century, during the Heian period, traditional gagaku was developed and indigenous to Japan through fusion with music unique to Japan, and it changed greatly. Gagaku was almost completed by the fusion of Tōgaku, Komagaku, Tenjikugaku and Rinyūgaku which were introduced from Asian countries, with Kuniburi no utamai, traditional Japanese music, and Utaimono, songs born in the Heian period.[2][3] During this period, Many pieces of gagaku music were created and foreign-style gagaku music were arranged and renewed. gagaku was also reorganized, and foreign-style gagaku music was classified into categories called Sahō (左方, left side) and Uhō (右方, right side). Chinese, Vietnamese and Indian style was classified on the Sahō, and Korean and Manchurian style was classified on the Uhō. And Tenjikugaku and Rinyūgaku were also included in the category of Tōgaku.[2][3][6]

The popularity of gagaku reached its peak in the 9th century to the 10th century when court aristocracy began to hold private concerts, but declined in the Kamakura period (1185-1333) when the power of the court aristocracy became diminished while that of the samurai rose.[6] Gagaku was played by musicians who belonged to hereditary guilds. During the Kamakura period, military rule was imposed and gagaku was performed rarely at court. At this time, there were three guilds, based in Osaka, Nara and Kyoto.

Because of the Ōnin War, a civil war from 1467 to 1477 during the Muromachi period, gagaku ensembles ceased to perform in Kyoto for about 100 years. In the Edo period, the Tokugawa Shogunate revived and reorganized the court-style ensembles, the direct ancestors of the present gagaku ensembles.

After the Meiji Restoration of 1868, musicians from all three guilds came to the capital and their descendants make up most of the current Tokyo Imperial Palace Music Department. By that time, the present ensemble composition had been established, consisting of three wind instruments – hichiriki, ryūteki, and shō (bamboo mouth organ used to provide harmony) – and three percussion instruments – kakko (small drum), shōko (metal percussion), and taiko (drum) or dadaiko (large drum), supplemented by gakubiwa.

Gagaku also accompanies classical dance performances called bugaku (舞楽). It may be used in religious ceremonies in some Buddhist temples.[7]

In 1955, the Japanese government recognized gagaku and bugaku as important National Treasures.

Today, gagaku is performed in three ways:[8]

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2 years ago
Which idea guided the development of the articles of confederation
cluponka [151]
It was the idea of wanting to have the individual states be more powerful than the federal government that guided the development of the articles of confederation, which is why they later proved to be inadequate and were replaced with the Constitution.
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