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djyliett [7]
3 years ago
9

What genre best defines John Bunyan's Pilgrim's Progress based on this excerpt from the story?

English
2 answers:
Ad libitum [116K]3 years ago
6 0

The answer is Genre: Religious Allegory.

 <em>The Pilgrim's Progress is a Christian allegory</em> written by John Bunyan, where the protagonist's name is Christian and the story is about his journey in search of the "<em>Celestial city"</em>, after leaving the <em>"City of Destruction"</em> that represented the world, passing through the the <em>"Valey of the Shadow of Death".</em> Everything is used to teach a spiritual or moral principle.

Kipish [7]3 years ago
3 0
A religious allegory. <span>It is classified as religious because it tells a tale of a recognizably Christian adventure with the end result religious epiphany and devotion.</span>
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which one of the following sentences contains a spelling error? A) What would you like for dessert? B) Evelyn was not not famili
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Answer:

Who is the real monster in Frankenstein?

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Explanation:

The true name of the monster was never revealed, instead many gave it the last name of his creator, Victor Frankenstein. Although perhaps that was society’s intent while repurposing this story, to refer to the real monster himself, Mr. Victor Frankenstein; the man who created and abandoned a creature that was capable of destruction. Shelley did not give the hideous creature a name, perhaps for a reason. To not name something dehumanizes it and makes that thing an It – lack of identify due to no name fear of unknown.  Yet she gives it such human characteristics by allowing the beast to talk, read, learn another language and even have the capabilities of emotions. Connect better, Sometimes the real monster is not the hideous beast standing in front of you, but rather the beast looking back at you in the mirror. Marry Shelley related Frankenstein’s creation as the product of neglect and lack of responsibility by the creator, a situation all too relevant to today’s society, specify that Mary Shelley wrote the book.

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