Answer: The correct answer is 2) Little support exist for the idea that opposites attract.
Explanation: Science says that the idea that in mate selection opposites attract is almost disproven. In fact, the more similar an individual is to their couple in terms of religion, education, age and intelligence seems to lead to couple's long term satisfaction in their relationship.
Certain researchers even go to say that even if there's a difference between the persons' cultural or religious background, at a deeper level (personality, meaning of life) they are essentialy more similar than distinct.
In conclusion, to the question: Which statement is true about mate selection? They answer would be 2) Little support exists for the idea that opposites attract.
Answer:
Kafka gives no indication as to what may have caused Gregor's transformation.
Explanation:
Although we can interpret what Gregor's transformation represents, we have no indication of what caused it, since the author left no factor expressed in the narrative, probably to stimulate our interpretation of Gregor's dehumanization in the midst of capitalism and the exploitation he went through. Gregor's family and himself, see transformation as a random occurrence, something of chance, as a disease.
Answer:
The development of antibiotics and immunizations.
Explanation:
Banquo is Macbeth’s best friend. Banquo enters the play with Macbeth after both have fought valiantly for Duncan’s side in a recent battle. Duncan acknowledges Banquo as “no less deserved” of praise than Macbeth, but from the beginning of the play Banquo is overshadowed by Macbeth’s accomplishments and ambition. However, Banquo is not entirely without ambition of his own. He asks for a prophecy from the Witches, too, and is pleased to learn that his children will rule Scotland. Similar to Macbeth, Banquo seems unable to understand the cost of the Witches’ prophecy will be his life. In Act III, murderers kill Banquo at Macbeth’s command, and try to kill his young son, Fleance, who manages to get away. Soon after his death, Banquo appears in the form of a ghost at the banquet the Macbeths give at their castle. At play’s end, Banquo’s greatest import remains offstage: his son, Fleance, who could come back to revenge his father’s death and take the throne of Scotland, fulfilling the Witches’ prophecy that Banquo’s sons will one day be king.
