Answer:
1) i choose :"self portrait with monkey, 1945"
a- she did not try to hide her natural appearence as you can see perfectily KAHLO did not try to, give the reddish appearence for her cheecks or her unique eyebrows,
b- we can see that in this and other portraits she uses a ribbon as a hair ornament this may mean that even though she painted a very original appearance she also looked after her image
c-the adorable little monkey next to her in the painting can represent her different taste for animals and her respect for them
d-
Miss kahlo wears a very presentable outfit for her time as if she meant that even if her prejudice is that a woman is painting she would like to remain flawless
e-behind her seems a lot of dead trees, and i meaning that i can most think of is how trees look after a human passes by.
thats what mos grabbed my attention.
2)
she certainly shows the clash of differences between these two countries, both culturally and in industries, and as much as her natural land of one she came as if she had become america and being explored because she lives in it
the other picture has something deeper Frida Kahlo was trying to depict the superficiality of American capitalism. This painting is filled with the icons of modern industrial society of United States but implied the society is decaying and the fundamental human values are destructed.
3) realistic! because it really says much about the days that she lived and what she believed that would turn into reality she expresses this in a very an enigmatic way so that we really think about it
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PLEASE TAKE A READ ON IT I DO NOT REALLY SPEAK IN ENGLISH VERY WELL SO PLEASE MAKE CORRECTIONS.
The answer is false---------
1-3, 2-1, 3-2 that should be the correct order
Answer:
movement in visual art and literature, flourishing in Europe between World Wars I and II. Surrealism grew principally out of the earlier Dada movement, which before World War I produced works of anti-art that deliberately defied reason; but Surrealism’s emphasis was not on negation but on positive expression. The movement represented a reaction against what its members saw as the destruction wrought by the “rationalism” that had guided European culture and politics in the past and that had culminated in the horrors of World War I. According to the major spokesman of the movement, the poet and critic André Breton, who published The Surrealist Manifesto in 1924, Surrealism was a means of reuniting conscious and unconscious realms of experience so completely that the world of dream and fantasy would be joined to the everyday rational world in “an absolute reality, a surreality.” Drawing heavily on theories adapted from Sigmund Freud, Breton saw the unconscious as the wellspring of the imagination. He defined genius in terms of accessibility to this normally untapped realm, which, he believed, could be attained by poets and painters alike.
