Answer:
Overgeneralization
Explanation:
In psychology, Overgeneralization is a term used to describe an issue that affects mostly mentally ill people with anxiety or depressive disorders on a regular basis. It occurs when someone thinks and applies only one experience and generalize it to all other experiences, including those yet to occur. In this case, just for once that her professor did not say hello back to her, she is already thinking of the future (if she would pass the class) and if her professor was angry at her.
Engaging in international trade- increase in foreign demand for goods.
Investing in physical capital- increase in production speed and quality.
Investing in human capital- increase in literacy rate
Hope this helps :))))
That would be considered A. explicit memory. Hope this helps!
Answer:
For many centuries, natural law was recognized as a type of higher law that spelled out universal truths for the moral ordering of society based on a rational understanding of human nature. As a higher moral law, it gave citizens a standard for determining if the written laws and customs of their nation or any other nation were just or unjust, right or wrong, humane or inhumane. Today, natural law is not discussed very much, at least not explicitly. When mentioned at all, it is usually rejected as dangerous because it undermines existing laws or as intolerant because it is contrary to “multiculturalism,” which requires the non-judgmental acceptance of other cultures.
This negative view of natural law can be traced to Thomas Hobbes (1588–1679), whose writings are largely devoted to showing the anarchy and civil wars caused by appeals to natural and divine laws above the will of the sovereign. Hobbes rejected traditional higher law doctrines and encouraged people to accept the established laws and customs of their nations, even if they seemed oppressive, for the sake of civil peace and security. His critique has been a leading cause of the demise of natural law and the acceptance of positive law as the only reliable guide for political authority.
One may be equally surprised to learn, however, that many people today embrace a different (and seemingly contradictory) view of natural law, and this too is traceable to Thomas Hobbes. For example, when conscientious people are confronted with violations of human rights—as in religious theocracies that violate women’s rights or in countries that allow sweatshops to trample on worker’s rights—they feel compelled to protest the injustice of those practices and to change them for the better. The protesters usually deny that they are following natural law, but they obviously are asserting a belief in universal moral truths that are grounded in human nature—in this case, the natural equality of human beings that underlies human rights. This understanding of higher law originates with Hobbes because he was largely responsible for transforming classical natural law into modern natural rights, thereby beginning the “human rights revolution” in thinking on natural law. How is it possible for Hobbes and his followers to embrace seemingly contradictory views of natural law, rejecting one form as intolerant, self-righteous, and anarchical, while embracing another form as the universal ideal of social justice? Let us turn to Hobbes for an answer to this puzzle, and, in so doing, uncover the sources of our modern conceptions of law, rights, and justice.
When a composer writes new music for each stanza of a poem, the form is known as Strophic form
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What is Strophic form?</h3>
Verse-repeating form, chorus form, AAA song form, or one-part song form are other names for the song structure known as strophic form, in which all verses or stanzas of the text are performed to the same melody. Through-composed, in which new music is written for each stanza, and ternary form, which features a contrasting middle section, are two different song styles.
The word is derived from the Greek letter stroph, which means "turn." The most basic and enduring musical form, repetition extends a piece of music by repeating a single formal element. The analysis of this is "A A A..." In reality, where the text repeats the same rhyme scheme from one stanza to the next, the song's structure also frequently uses the same or very similar material from one stanza to the next. This additive strategy is the musical equivalent of repeated stanzas in poetry or lyrics.
To learn more about Strophic form from the given link:
brainly.com/question/17627935
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