Answer:
The major choices in life.
Explanation:
The speaker is thinking back to how their life could have been different, and we see some conflicting emotions about the two paths and the one they ended up walking.
The wood just means forest, the speaker is laying out the scene.
Two roads is pretty self explanatory, we often use the "fork in the path" metaphor when contemplating large choices.
Answer:
Relationships shape who we are. They directly affect our brain and mind. Mirror neurons and other circuits in our brain help us understand, imitate, learn from, and communicate with other people. If a memory or a person is too painful for us, part of our brain shuts down to that memory or experience.
Our relationships with others influence how we communicate with people by many different ways . The relationship between people influence the way we interact with them . One example is giving hugs this is generally for people you are close with, although you may shake someone’s hand if you are not as close to them.
Explanation:
C.it reveals that he is organized and used to an established morning routine.
Answer:
Tybalt's opinion of peace is that "What, drawn, and to talk of peace! I hate the word as I hate (Down there heck), all Montagues, and thee. Have at thee, coward!" (1. 1. 69). Tybalt wants to start a fight between the Capulets and Montagues and does not like the fact that they are in his presence.
Explanation:
Answer: A hero can come in all forms, but the one thing she can’t be is passive.
Explanation:
1. Is your hero’s goal clearly stated in the set-up? Is what your hero wants obvious to you and to the audience? If not, or if you don’t know what your hero’s goal is, figure it out. And make sure that the goal is spoken aloud and restated in action and words throughout the story.
2. Do clues of what to do next just come to your hero or does he seek them out? If it all happens too easily for your hero, something is wrong. Your hero cannot be handed his destiny, he must work for it at every step.
3. Is your hero active or passive? If the latter, you have a problem. Everything your hero does has to spring from his burning desire and his deeply held need to achieve his goal.
4.Do other characters tell your hero what to do or does he tell them?Here’s a great rule of thumb: A hero never asks questions! The hero knows and others around him look to him for answers, not the other way around. If you see a lot of question marks in the hero’s dialogue, there’s a problem.
