Answer:The poets of the next generation shared their predecessors’ passion for liberty (now set in a new perspective by the Napoleonic Wars) and were in a position to learn from their experiments. Percy Bysshe Shelley in particular was deeply interested in politics, coming early under the spell of the anarchist views of William Godwin, whose Enquiry Concerning Political Justice had appeared in 1793. Shelley’s revolutionary ardour caused him to claim in his critical essay “A Defence of Poetry” (1821, published 1840) that “the most unfailing herald, companion, and follower of the awakening of a great people to work a beneficial change in opinion or institution, is poetry,” and that poets are “the unacknowledged legislators of the world.” This fervour burns throughout the early Queen Mab (1813), the long Laon and Cythna (retitled The Revolt of Islam, 1818), and the lyrical drama Prometheus Unbound (1820). Shelley saw himself at once as poet and prophet, as the fine “Ode to the West
Explanation:
The language of prose is typically straightforward without much decoration. Ideas are contained in sentences that are arranged into paragraphs. There are no line breaks.
Poetry is typically reserved for expressing something special in an artistic way.
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Answer:
Explanation:
a Polish medical doctor who saved thousands of people during World War II by creating a fake epidemic which played on German phobias about hygiene.
Dr. Eugene Lazowski saved the lives of over 8000 Polish Jews during WWII by injecting them with a phony vaccine that would create a false positive for typhus.
