Unlike a two-dimensional artist, such as John Constable, a three-dimensional artist, such as Tony Smith, must consider A. t
he spectator's value system and known experience of art. B. the spectator's fixed position in relation to the artwork. C. spatial issues from every possible viewing point. D. temporal issues as they relate to the artwork.
C) Brussels down handle up because after washing it all the water has to be dryer off before storing back to a dry place or else all the clean paintbrushes will get wet and possibly dirty.
