Answer:
Afrika's ransom in the book is amounted to $200.
Explanation:
"True North" is a novel written by Kathryn Lasky. The novel is about two girls, Lucy and Afrika, from two distinctive worlds, embarking on a journey together.
Afrika is a nineteen year old slave runaway girl. In Chapter 19, when Afrika was hiding with the Hunns, her former owner, Jenk Thomas had a bill published, claiming a reward of two-hundred dollars to the one who will hand Afrika over to him.
So, the ransom amounted to $200 on Afrika in the book.
Answer:
<em>To evaluate the effectiveness of an argument the reader needs to check if the read and evidences of the author are true and if the logic used in the argument is valid.</em>
Explanation:
The effectiveness of an argument will depend first in the premises, if they are true or false, in this stage you should check sources, facts and evidences to see how reliable is it. The second stage is to check the logic applied, many arguments had false reasoning, which make then invalid or what it is called logic fallacies. If an argument is valid but the premises are not true it won’t be an effective argument, is the premises are true but the logic applied is not correct it won’t be an effective argument too.
Answer:
The answer will be B: To advertise for job openings
Explanation:
They engaged in welfare capitalism to encourage employees to socialize.
The Balinese production of The Tempestuses shadow puppetry to display an interpretation of William Shakespeare’s famous work. This alternative form of performance focuses more on the fluidity, or sharpness, of the characters’ movement. When analyzing Ariel in this form, it is very apparent that her actions are very projected compared to other characters, by the excess movement of her arms and fingers. However, this projection is shown not with velocity in motion, but with a very smooth complexion in Ariel’s movement. This emphasizes the fragility of her character by connecting her to something very easily tampered with, like the smoothness of still water, that changes with something even as soft as a breeze. The Balinese play also uses the clever technique of utilizing their lighting as a form of portraying Ariel’s character, by physically moving the actor towards and away from the light in order to change the size of the shadow shown. This was well utilized by not only Ariel, but the entire Balinese cast. When Prospero manipulates Ariel into believing that her deed was an act of gratitude for releasing her from her imprisonment, the cast makes Prospero noticeably larger in size and Ariel noticeably smaller. This adds dynamic contrast to the characters and allows the audience to view Ariel as much more timid and frail, as well as Prospero much scarier and evil.
