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I am Lyosha [343]
3 years ago
11

This superstar never played the Palace Theater, which was considered the mecca of vaudeville performers during the 1910s, 1920s,

and early 1930s. Who was he?
Arts
1 answer:
snow_lady [41]3 years ago
3 0

Answer:

Al Jolson

Explanation:

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The model: Computer Aided Three Dimensional Interactive Application

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koban [17]

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Michel Fokine (1880 – 1942)

Explanation:

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In 1905, the dancer Anna Pavlova commissioned a ballet for a concert in the Hall of Nobles in St. Petersburg. Fokine created for her The Death of the Swan (Saint-Saëns, 1905), a two-minute solo that became the symbol of the new reform of Russian ballet, tending to abandon the classical formulas of Marius Petipa.

He was the main protagonist of the success in the West of Russian ballet, possibly greatly influenced by the antithechnic of Isadora Duncan, although his revolutionary style did not cause any dent in the Russian public conservative.

According to him, the only reason for the technique was to serve expression, and music must be entrusted to true composers and not to simple compositional professionals; Only then would ballet achieve a complete unit of expression of all its elements. Thus, when in 1909 Diaghilev invited him to join the Ballets Russes as the main choreographer, Fokine accepted willingly, because he could finally put his ideas into practice, which rejected conventional mimicry and advocated the integration of dance, music, plot, scenery and costumes in one unit.

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The music of the Classical period was simpler and pleasing. How did composers achieve this using the fundamentals of music?
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They strove to create works with clean, balanced, and elegant sound.

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