Answer: The limited set of the story may be viewed in relation to the trials and tribulations that Mrs. Mallard possibly endured throughout her marriage to Brently Mallard. The staircase may signify the “ups and downs” encountered by Mrs. Mallard; it could also represent her path to freedom as she walks toward them to descend to victory. The room could represent the “box” encapsulating a person that suffers from depression or anxiety, with the window located inside the room representing the happiness that seems unattainable even though it is visible. I could equate the door to a possible exit from the situation or an object, whether physical or mental, that kept Mrs. Mallard “locked in” and unable to reach the happiness that waited outside. I was able to associate the set to the apparent despair, excitement and eventual heart-break that was experienced by Mrs. Mallard as she learned of her husband’s death, into the jubilation of being “free” and finally to her demise as she watched her husband walk through the door
Answer:
He was a photographer at school today and showed us
large and hairy spiders landscapes and the coolest is the bottom of the sea presented us with landscapes from the mountains and the beach on which there were a lot of children who played football
and little cats that were with you and spiders which was also with you
Explanation:
Translation
the start of the play, Romeo is a hopeless romantic, That is to say, He is in love with his enemy's daughter 1 day after breaking up with his first love, for example, at the start of the play when Romeo is talking with Benvolio, Romeo says: “bid a sick man in sadness make his will- a word ill urg’d to one that is so ill: in sadness, cousin, i do love a woman.” He is saying that he is in love with Rosaline but a couple days later he is in love with juliet, he say this to juliet: “My lips, two blushing pilgrims, ready stand to smooth that rough touch with a tender kiss” He confessing love for juliet even though he just broke up Rosaline, this shows me that Romeo falls for people to easily and he is hopeless romantic who doesn’t understand …show more content… When Romeo finds out about Juliet’s death, he rushes to her tomb only to find paris, kills him, finds juliet and then kills himself. For example, by the end of act 5 he says; “O my love, my wife, Death, that hath suck’d the honey honey of thy breath, Hath had no power yet upon thy beauty.” He is explaining how he loves her and she didn’t need to die. Another example is; “Here’s to my love! O true apothecary! Thy drugs are quick. Thus with a kiss i die.” He has killed himself over a girl he barely knew. This shows me that Romeo is being dramatic and foolish when he kill paris and himself. In conclusion, Romeo is a foolish young boy who overreacts when a girl he just me dies. In conclusion of this entire essay, Romeo is a victim of fate, Romeo is a rash and emotional young man. He feels deeply and acts quickly, often without thinking through his actions. His attitude towards love is over-enthusiastic. Romeo believes that love is what makes life worthwhile, which is why he is so desperate to be in love. He stays in love with Rosaline, even after she rejects him, up to the point when he falls in love with Juliet.
Answer:
Of course perhaps that is not solid evidence because most people would probably believe that they are not a bad person; however, other people in the book that truly know Steve's personality attest to the fact that Steve is a good kid. Take Mr. Sawicki for example. He is Steve's favorite teacher and he says that Steve is "talented, bright, and compassionate." Those character traits are absolutely true about Steve, and they are shown concretely in the way that he loves and treats his brother, Jerry.
Answer:
Yes, indeed I shall, Torvald. But I can't get on a bit without you to help me; I have absolutely forgotten the whole thing.
HELMER.
Oh, we will soon work it up again.
NORA.
Yes, help me, Torvald. Promise that you will! I am so nervous about it — all the people — . You must give yourself up to me entirely this evening. Not the tiniest bit of business — you mustn't even take a pen in your hand. Will you promise, Torvald dear?
HELMER.
I promise. This evening I will be wholly and absolutely at your service, you helpless little mortal. Ah, by the way, first of all I will just — (Goes toward the hall-door.)
Explanation:
