Following is a list of all <span>United States federal judges appointed by President Dwight D. Eisenhower</span> during his presidency.[1] In total Eisenhower appointed five Justices to the Supreme Court of the United States (including one Chief Justice), 45 judges to the United States Courts of Appeals, and 129 judges to the United States district courts.
Contents <span> [hide] </span><span><span>1United States Supreme Court Justices</span><span>2Courts of Appeals</span><span>3District courts</span><span><span>4Specialty courts</span><span><span>4.1United States Court of Customs and Patent Appeals</span><span>4.2United States Court of Claims</span><span>4.3United States Customs Court</span></span></span><span>5Notes</span><span>6References</span><span>7<span>Sources
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Answer:
it was a peace treaty that ended the first opium war
Explanation:
Patrick Henry was against a strong, centralized national government and constitution because he wished to see real, structural limitations on the new government’s power, such as taking away its authority to tax. He felt that a strong government <span>betrayed the principles of the Revolution.</span>
Jackson Pollock, Lee Krasner, Willem de Kooning, and Mark Rothko are best-known as pioneers of Abstract Expressionism. But all four were also among thousands of artists and other creatives employed by the government through the Works Progress Administration (WPA) between the years of 1935 and 1943. That the arts would be funded significantly by the federal government—never mind that it would actively employ artists—may well raise an eyebrow today. But working under a subdivision of the WPA known as the Federal Art Project, these artists got to work to help the country recover from the Great Depression, as part of President Franklin D. Roosevelt’s New Deal.
Evidence of impoverishment and a portfolio showcasing one’s skills and commitment to the arts were all that was needed to qualify for the WPA initiative. This and the Federal Art Project’s non-discrimination clause meant that it attracted, and hired, not just white men but also artists of color and women who received little attention in the mainstream art world of the day. These artists created posters, murals, paintings, and sculptures to adorn public buildings.
