FALSE! He actually said jesus was greater than him ;)
Faded feedback uses a high frequency of feedback early in practice and then gradually reduces feedback as the learner's skill begins to develop.
Faded feedback involves initial high-level assistance that gradually decreases as trainees advance through the training programme. However, as stated by Goodman and Wood (2009), faded feedback has very little empirical validity.
Their findings imply that trainees' "stuck in their ways" behavior was caused by faded feedback. In other words, trainees tend to continue performing in ways consistent with the feedback throughout the training course when they receive high levels of feedback early on.
Despite the intuitive attraction of faded feedback, Goodman and Wood's findings imply that this feedback strategy did not result in greater learning or increased training transfer when compared to the alternative.
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<u>Answer:
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The student version that is based on the original source material is not plagiarism.
<u>Explanation:
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- Though the idea that is enumerated in both the versions speaks about the same concept, there are no visible signs of replacement paraphrasing having been used in the student version.
- The way the idea has been elaborated in the student version clarifies that the student has processed the concept through a different perspective and has put in his own words what he has understood about the concept including some extra information.
Answer:
Bop established the primacy of virtuosic solo improvisation. From the measure of the artistry and virtuosity of the solo improvisers.
Explanation: Bebop was a sort of "underground" jazz movement in its early years. Its developers and practitioners met in the after-hours of New York's jazz clubs, experimenting with new harmonic and melodic idioms during jam sessions that would sometimes last until dawn.
-Focused on improvisation and solo virtuosity in individual solos, not melody, but focused on harmonics.
The emergence of bebop melodies or "heads."
Bop tempos were faster than any jazz had ever been. This was not dancing music, and it was never really intended to be popular. It was jazz for the artists themselves and for the true jazz lovers.
