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stiv31 [10]
3 years ago
15

Janet lives in an apartment with her roommate Jessica. Jessica usually plays music on the stereo before she goes to bed and forg

ets to turn it off. Janet does not get proper sleep because of the music and decides to discuss the issue with Jessica. Janet uses the ________ to cope with the demands of this situation.
English
2 answers:
castortr0y [4]3 years ago
7 0

Answer:

The correct answer to the following question will be "The discussion method".

Explanation:

  • A educating approach where both teachers and students participate fully in the process of learning.
  • Discussion Approach incorporates student-activity well into the context of the conversation, instead of always actually making the instructor say and lecture. So this approach seems to be more efficient.

So Janet utilizes the debate approach to address the requirements of such a scenario.

anastassius [24]3 years ago
5 0

Answer:

Explanation:

The disscusion method.

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China was once again united under which dynasty?
Katen [24]

Answer:

Sui Dynasty.

Explanation:

Hope this helps. :)

6 0
3 years ago
What to punctuate: His forward looking attitude without a doubt makes him an asset to the committee
ss7ja [257]
His forward-looking-attitiude without-a-doubt makes him an asset to the committee. 
7 0
3 years ago
What is juliet pondering when romeo finds her on the balcony.
alukav5142 [94]

Answer:

She is pondering her love for romeo/ "whats in a name?

Explanation:

She is thinking about how much she loves romeo and is frustrated because she cannot be with him simply because of their families' fued with one another. She does not understand why a simple last name is a reason for the two of them not to be with one another when she loves him so much.

6 0
2 years ago
Analyze “houses and rooms are full of perfumes”
viktelen [127]

In this section, Whitman breaks out of enclosures, whether they be physical enclosures or mental ones. In one of his early notebooks, Whitman had drafted the line “Literature is full of perfumes,” a recognition that books and philosophies and religions all offer filtered versions of how to view the world. They are all “intoxicating”—alluring, to be sure, but also toxic. We are always tempted to live our lives according to the views of those who came before us, but Whitman urges us to escape such enclosures, open up the senses fully, and breathe the undistilled atmosphere itself. It is in this literal act of breathing that we gain our “inspiration,” the actual breathing in of the world. In this section, Whitman records the physicality of singing, of speaking a poem: a poem, he reminds us, does not derive from the mind or the soul but from the body. Our inspiration comes from our respiration, and the poem is “the smoke of my own breath,” the breathing of the atoms of the air back out into the world again as song. Poems are written, Whitman indicates here, with the lungs and the heart and the hands and the genitals—with the air oxygenating our blood in the lungs and pumping it to our brain and every part of our body. We write (just as we read) with our bodies as much as our minds.

The poet in this section allows the world to be in naked contact with him, until he can feel at one with what before had been separate—the roots and vines now seem part of the same erotic flow that he feels in his own naked body (“love-root, silk-thread, crotch and vine”), and he is aware of contact and exchange, as he breathes the world in only to breathe it back again as an undistilled poem. All the senses are evoked here—smell (“sniff of green leaves”), hearing (“The sound of the belch’d words of my voice”), touch (“A few light kisses”), sight (“The play of shine and shade”), taste (“The smoke of my own breath,” that “smoke” the sign of a newly found fire within).

Now Whitman gently mocks those who feel they have mastered the arts of reading and interpretation. As we read this poem, Whitman wonders if we have “felt so proud to get at the meaning of poems,” and he invites us now to spend a “day and night” with him as we read “Song of Myself,” a poem that does not hide its meanings and require occult hermeneutics to understand it. Rather, he offers up his poem as one that emerges from the undistilled and unfiltered sources of nature, the words “belch’d” (uttered, cried out, violently ejected, bellowed) instead of manicured and shaped. This is a poem, Whitman suggests, that does not want to become a guide or a “creed,” but one that wants to make you experience the world with your own eyes. We take in this poet’s words, and then “filter them” from our selves, just like we do with the atmosphere and all the floating, mingling atoms of the world.

–EF

Can you please mark as brainliest?

6 0
3 years ago
Why did the ancient Romans call the Mediterranean Sea<br> ”our sea”?
sweet-ann [11.9K]

Answer:

The term mare nostrum was used in the first place by Romans to refer to the Tyrrhenian Sea. This was after they had taken over the countries around it.  So they started to use the name mare nostrum for the whole Mediterranean Sea. They used other names as well, such as Mare Internum ("The Internal Sea").

Explanation:

6 0
3 years ago
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