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max2010maxim [7]
3 years ago
15

Select four reasons American drama had a slow start.

English
2 answers:
inessss [21]3 years ago
6 0
I'd say the answers are 'prejudice against dramas association with court life and monarchy', 'no audiences', 'lack of finances', and 'Puritans outlawed drama in some colonies'. 
bonufazy [111]3 years ago
4 0

The four reasons American drama had a slow start are:

Prejudice against dramas association with court life and monarchy;

no audiences;

lack of finances;

Puritans outlawed drama in some colonies.

Until the post-World War I time period, American drama, confronted with religious hostility as well as by economic necessity and academic indifference. American drama found it difficult to de embraced as a respected literary genre at home.

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How does the order of events in this scene create an effect? in the scene, lady macbeth wipes blood on duncan's guards after . t
Snowcat [4.5K]

The three witches encounter on a heath - This is how the play opens.

The witches call Macbeth as Thane of Cawdor - It is Act 1, Scene 3

Duncan arrives at Inverness - Duncan arrives to with his attendant outside Macbeth's castle.

Lady Macbeth recognizes the bloodstained daggers near Duncan’s guards.

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Malcolm and Donalbain flee to security - Act 2, Scene 3. When Malcolm and Donalbain flee the murder site.

<h3>What is the short summary of Macbeth?</h3>

Macbeth Summary. Three witches reveal the Scottish general Macbeth that he will be King of Scotland. Encouraged by his wife, Macbeth destroys the king, evolves the new king, and kills more people out of paranoia. Civil war erupts to destroy Macbeth, resulting in more death.

<h3>What is the story of Macbeth based on?</h3>

Macbeth is based on the account of the reigns of Duncan and Macbeth in The Archives of Scotland, though with some notable differences. For example, in Chronicles, Banquo is Macbeth's accomplice in the plot to destroy King Duncan.

To learn more about Macbeth, refer

brainly.com/question/25875821

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Complete answer shown below,

Lady Macbeth places the bloodstained daggers near Duncan’s guards.Malcolm and Donalbain flee to safety.The three witches meet on a heath.The witches hail Macbeth as Thane of Cawdor.Duncan arrives at Inverness.Macbeth kills Duncan

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1 year ago
How does the author develop his claim by including descriptions of his experiences as a young person?
kogti [31]

Answer:

The author develops his claim by including the example of his childhood by telling how important it is switch the communication style while in different cultural settings.

Explanation:

"Learning How To Code-Switch: Humbling, But  Necessary

" is an article written by Eric Deggans. The article talks about the importance of switching communication style while being in different cultural settings.

<u>In this article, the author includes his childhood experience when he would include the word 'guys' while speaking with his poor and black neighborhood. For them the word 'guys' was a white men word, thus the author was ridiculed for making use of that word in his black neighborhood. </u>

<u>By including this example of his childhood, the author is trying to develop a claim of how important it is switch the codes while being in different cultural settings. And to learn how to switch the codes.</u>

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How does Donne use the metaphysical conceit in this poem in Sonnet XIV? Do these comparisons help you as a reader to understand
Tasya [4]

Answer:

Donne uses the extended metaphor of a ‘city’ not only in ‘Holy Sonnet XIV’ but also in ‘Loves War’. In this Elegy which was written in Donne’s youth, he describes a ‘free City’ which ‘thyself allow to anyone’ – a metaphor for how anyone can enter a woman [ii] – and goes onto say how in there he would like to ‘batter, bleeds and dye’. Here, Donne is controlling the ‘city’ and taking over it himself, however, if Donne intended to use this same metaphor in ‘Holy Sonnet XIV’, the roles have changed and it now signifies how it is Donne who needs to be seized by God’s spirit. Furthermore, this represents how Donne’s life and therefore attitude has changed between writing these poems; he used to feel in control but now he is controlled.

The physical verbs that are used immediately sets the violent theme of the octave. The spondaic feet emphasizes Donne’s cry for God to ‘break, blow’ and ‘burn’ his heart so he can become ‘imprisoned’ in God’s power, creating a paradoxical image of a benevolent God acting in a brutal way. He uses a metaphysical conceit to explain how he is ‘like an usurp’d town’ with God’s viceroy (reason) in him. This imagery of warfare that pervades the sonnet symbolises his soul at war with himself; only if God physically ‘overthrow’s’ Donne and ‘batters’ his sinful heart will he be able to ‘divorce’ the devil. It was around the time of writing this poem that Donne renounced his Catholic upbringing which gives evidence to the assumption that the sin he was struggling with began to overpower his Christian beliefs and needed God become as real to him as God was to his respected Catholic parents. Furthermore, in ‘Holy Sonnet XVII’ Donne exclaims how ‘though [he] have found [God], and thou [his] thirst hast fed, a holy thirsty dropsy melts [him] yet. This reveals that Donne feels that even though he has found God, his yearning is not satisfied which gives evidence towards the assumption that he is crying out for spiritual ecstasy. This paradox between freedom and captivity was most frequently written about by most prison poets such as Richard Lovelace [iii] Donne wrote, ‘Except you enthrall me, never shall be free’ which implies the same idea as Loveless in ‘To Althea, From Prison’ that true freedom is internal, not external, symbolising his struggle with sin whilst he is physically free.

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Yes, it’s very necessary
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