Answer:
It recapitulates the disappointments of the other characters — “It's not just a play within a play, it is the play in a lot of ways,” Mr. Tiffany said — while revealing a more substantial Laura and more wounded Jim, two fellow “unicorns” as unsuited to the harsh ordinary world as Laura's glass animals.
Explanation:
Answer:
Movement in art decides how the viewer will perceive an artwork. It is the path our eyes follow or the pattern our eyes go after when we look at an art work. In art, it's extremely important to keep a viewer’s eyes engrossed in the work, and the way an artist does that is by adding movement. Without any movement, artwork is stagnant and people don't really like looking at art that looks or feel boring to them, no matter how valuable it is. If our eyes see movement happening in an art work, they are more likely to enjoy the art as they are now following a pattern or path to explore the contents of the artwork.
Blocking off the balcony, altering the decor of the space to add light and colour, or closing off the rear of the orchestra are all ways that scenic designers can alter theatre space and design.
<h3>Description About
architecture of a
theatre space</h3>
The architecture of a theatre space can be changed by designers to produce a new arrangement or configuration.
The architecture of a theatrical space can occasionally be changed by scenic designers to produce a new arrangement or configuration.
Balconies may be sealed off or the orchestra's back section may be closed if the auditorium is too big for a particular play.
Additionally, the decor can be changed. For example, in a room that is typically formal and muted, bright colours, banners, and strong lighting could create a celebratory environment.
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