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Academic discipline that deals with various theactrical, historical, and critical approaches to films.
Macbeth is a tragedy written by William Shakespeare, believed to be first presented in 1606. After ordering his men to murder his good friend Banquo, Macbeth sees the ghost of his friend, during a dinner with some nobles. Being confronted by his murdered victim, Macbeth loses self-control and completely ignoring his important guests, he interacts and discusses with the ghost. His distress and despair are signs that he lost control and he surrenders to his extreme guilt. Shakespeare wants to show that our evil acts will eventually come back to haunt us.
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It could be observed that the scene<em> portrays animals eating the corpses of humans; </em>thereby <u>depicting how in reality animals are oppressed and even killed by humans </u>in the Wheel of Life.
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A strong relationship between the arts and politics, particularly between various kinds of art and power, occurs across historical epochs and cultures. As they respond to contemporaneous events and politics, the arts take on political as well as social dimensions, becoming themselves a focus of controversy and even a force of political as well as social change.
A widespread observation is that a great talent has a free spirit. For instance Pushkin, who some scholars regard as Russia's first great writer,[1] attracted the mad irritation of the Russian officialdom and particularly of the Tsar, since he "instead of being a good servant of the state in the rank and file of the administration and extolling conventional virtues in his vocational writings (if write he must), composed extremely arrogant and extremely independent and extremely wicked verse in which a dangerous freedom of thought was evident in the novelty of his versification, in the audacity of his sensual fancy, and in his propensity for making fun of major and minor tyrants.
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