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Your best option is not to my suggestion is to find a book that s not included in a series because then you might have trouble just writing abot the first book or one of the books the reason this particular series is not a good idea is becasue it is a full collection of books and not just the new start of the sereis your best bet is to find a singular book
Explanation:
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Answer:
Seen against the background of the millennia, the fall of the Roman Empire was so commonplace an event that it is almost surprising that so much ink has been spilled in the attempt to explain it. The Visigoths were merely one among the peoples who had been dislodged from the steppe in the usual fashion. They and others, unable to crack the defenses of Sasanian Persia or of the Roman Empire in the East (though it was a near thing), probed farther west and at length found the point of weakness they were seeking on the Alps and the Rhine. The complicated political relationship existing between France and England in the first half of the 14th century ultimately derived from the position of William the Conqueror, the first sovereign ruler of England who also held fiefs on the continent of Europe as a vassal of the French king. The natural alarm caused to the Capetian kings by their overmighty vassals, the dukes of Normandy, who were also kings of England, was greatly increased in the 1150s. Henry Plantagenet, already duke of Normandy (1150) and count of Anjou (1151), became not only duke of Aquitaine in 1152—by right of his wife, Eleanor of Aquitaine, recently divorced from Louis VII of France—but also king of England, as Henry II, in 1154. A fresh complication was introduced when Charles IV died on February 1, 1328, leaving no male heir. Since there existed at that time no definitive rule about the succession to the French crown in such circumstances, it was left to an assembly of magnates to decide who ought to be the new king. The two principal claimants were Edward III of England, who derived his claim through his mother, Isabella, sister of Charles IV, and Philip, count of Valois, son of Philip IV’s brother Charles.
The correct answer is: Evidence is used to back up reasons.
The motif of marigolds is juxtaposed to the grim, dusty, crumbling landscape from the very beginning of the story. They are an isolated symbol of beauty, as opposed to all the mischief and squalor the characters live in. The moment Lizabeth and the other children throw rocks at the marigolds, "beheading" a couple of them, is the beginning of Lizabeth's maturation. The culmination is the moment she hears her father sobbing, goes out into the night and destroys the perfect flowers in a moment of powerless despair. Then she sees the old woman, Miss Lottie, and doesn't perceive her as a witch anymore. Miss Lottie is just an old, broken woman, incredibly sad because the only beauty she had managed to create and nurture is now destroyed. This image of the real Miss Lottie is juxtaposed to the image of her as an old witch that the children were afraid of. Actually, it is the same person; but Lizabeth is not the same little girl anymore. She suddenly grows up, realizing how the woman really feels, and she is finally able to identify and sympathize with her.
In this story, author's use of juxtaposition portrays the main character in great detail through the countless acts of character's realisation and analysis of her life. Lizabeth reflects that she had, “…a strange restlessness of body and of spirit, a feeling that something old and familiar was ending and something unknown and therefore terrifying was beginning" as she grew up and it scared her more and more. She regretted all the bad things she did as a child and the author's use of character vs self conflict created this suspense and showed how Lizabeth has changed through her experience.
Different people have different needs and while one reward might suit one person, it doesn't mean that it will suit another.
