the answer is ‘implied’, assuming that this is the definition to the word connotation.
Answer:
- Listen to others. Don't make others follow you. Everyone has their own strengths.
- Make yourself heard. This might be the complete opposite to the tip I put before, but it's not. Everyone has their own strengths, including you. If you are smart, try to help your friend with their math homework, or if you are athletic, teach your friend football. Little things that make them feel better.
- Know who is your friend. Peer pressure is something that a lot of leaders struggle with. Don't lead your friends astray and don't get led astray by your friends.
- And lastly, Know your leader. Your leaders, parents, teachers, the principal. Remember to always listen to them, cause they have good advice for you.
This question asks for an essay, which is a personal task that only you can complete. However, we are still able to provide some guidance that can help you complete your work.
In her "Letter to Napoleon III," Elizabeth Barrett Browning employs several rhetorical strategies to urge Napoleon III to forgive the author Victor Hugo and free him from his imprisonment.
Browning uses ethos when she presents herself as a fair person. Ethos refers to an appeal to credibility, and Browning employs it when she agrees with Napoleon about the wrong nature of Victor Hugo's actions. She also employs a paradox to force Napoleon to pay close attention to her argument. The paradox is that, even though Victor Hugo acted against the emperor, he deserves to be free. Browning employs anaphora when she repeats the phrase "what touches you" in order to convince Napoleon of the importance of his reputation. Finally, she uses pathos (an appeal to emotion) when she highlights how grateful and admiring Napoleon's subjects will be if he pardons Victor Hugo.
<span>"Counting Small-Boned Bodies" is a short poem of ten lines and, as its title suggests, plays upon official body counts of dead Vietnamese soldiers. The poem's first line, "Let's count the bodies over again," is followed by three tercets, each of which begins with the same line: "If we could only make the bodies smaller." That condition granted, Bly postulates three successive images: a plain of skulls in the moonlight, the bodies "in front of us on a desk," and a body fit into a finger ring which would be, in the poem's last words, "a keepsake forever." One notes in this that Bly uses imagery not unlike that of the pre-Vietnam poems, especially in the image of the moonlit plain.</span>
