one screwdriver,off a boat,AND ANOTHER SHIP
A writer would probably be ambivalent, which is to have mixed feelings about a subject.
The correct answer is C: Logos.
In this passage, Wiesel gives a specific example of the cost of indifference. Specifically, thanks to the indifference of the United States, 1000 lives were needlessly lost when a ship was sent back to Nazi Germany.
Answer A can be eliminated because no question is being asked in the passage. Answer B can be eliminated because the exact number killed is mentioned but is not the focus of the passage. Finally, Answer D can be eliminated because he is not retelling a sad story about death.
The main idea of the passage is that the indifference of the US resulted in the deaths of those aboard the St. Louis.
Answer:
life is best whenit is not complicated.
i hope i can help
Answer:
The sadness of death.
Explanation:
Sandra Cisneros' <em>The House on Mango Street</em> is a collection of short narrative stories about a young girl Esperanza. The book contains numerous short stories under different titles telling a story of specific parts of her life.
The vignette "Papa Who Wakes Up Tired Early in the Dark" tells the story of how his hardworking father had to go to their ancestral home for the death of her abuelito. She saw her "poor papa" crying as if he had just heard the news all over again.
"Born Bad," tells the story of how Aunt Lupe lived her life in darkness, for she was blind. And when she died, Esperanza declares "And then we began to dream the dreams".
"Geraldo No Last Name" is a story about Geraldo who had died in an accident and Marin was the last to see him alive. She did not know his last name, nor does she know a lot about the dead guy for why does it matter? But the narrator states <em>"the ones he left behind are far away, will wonder, shrug. remember. Geraldo-he went north ... we never heard from him again".
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All three vignettes have a common theme of the sadness of the death of a person and how it affects others no matter what they may have thought of him/ her while he/ she was living.
