Answer:
Africans were forcibly brought to British-owned colonies in the Caribbean and sold as slaves to work on plantations. Those engaged in the trade were driven by the huge financial gain to be made, both in the Caribbean and at home in Britain.
I believe the answer is: Not been disseminated before unless noted otherwise.
This ethical perception exist to held the writers accountable for the validity of things that they wrote. Since it is an ethical standard, technically the writers would not face legal punishment as long as they made a dissemination when the things they wrote are proven to be wrong.
The correct answer is A; Comply with the contract and take legal title when it's terms are fulfilled.
Further Explanation:
A contract for deed is another type of real estate deal that is used when the buyers can't get a traditional mortgage. The person who is selling the property will keep the deed/title in their name until the terms of the contract have been completely fulfilled.
These types of sales are usually done privately and contracts are made up online or from a local lawyer. The down payments may be lower than a normal home loan. In this case, the vendee must comply with the terms of the contract and then get the legal title after all the terms are fulfilled.
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Answer:
Through the diverse cases represented in this collection, we model the different functions that the civic imagination performs. For the moment, we define civic imagination as the capacity to imagine alternatives to current cultural, social, political, or economic conditions; one cannot change the world without imagining what a better world might look like.
Beyond that, the civic imagination requires and is realized through the ability to imagine the process of change, to see one’s self as a civic agent capable of making change, to feel solidarity with others whose perspectives and experiences are different than one’s own, to join a larger collective with shared interests, and to bring imaginative dimensions to real world spaces and places.
Research on the civic imagination explores the political consequences of cultural representations and the cultural roots of political participation. This definition consolidates ideas from various accounts of the public imagination, the political imagination, the radical imagination, the pragmatic imagination, creative insurgency or public fantasy.
In some cases, the civic imagination is grounded in beliefs about how the system actually works, but we have a more expansive understanding stressing the capacity to imagine alternatives, even if those alternatives tap the fantastic. Too often, focusing on contemporary problems makes it impossible to see beyond immediate constraints.
This tunnel vision perpetuates the status quo, and innovative voices —especially those from the margins — are shot down before they can be heard.
