It provided the minimal assistance initially but eventually increased assistance and market regulation because they wanted to show minimum capability to what they were doing and how they were doing it.
They feared that they would get no rights and that the Revolutionary would be in vain. They thought the government would take full power over them and become just like King George.
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Answer:
In the late 1800s, people in many parts of the world decided to leave their homes and immigrate to the United States. Fleeing crop failure, land and job shortages, rising taxes, and famine, many came to the U. S. because it was perceived as the land of economic opportunity.
Explanation:
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Answer:
True
Explanation:
At the end of the 16th century Italy was the musical centre of Europe. Almost all the innovations that would define the transition to Baroque music originated in northern Italy in the last decades of the century.
However, it was in Florence where the Florentine chamber music developed the monody, important precursor of the opera, which first appeared around 1600.
This style then contrasted with polyphony, in which each part is equally important, and with homophony, in which the accompaniment is not rhythmically independent.
This meaning is used both to designate the style and for individual songs (so that one can speak both of the monody as a whole and of a particular monody). While the term itself is a recent invention of scholars, no seventeenth-century composer called any of his monody works.
The monody developed out of the attempt by the Florentine Camerata to recover the ideas of Ancient Greece about melody and declamation in the theatre of Ancient Greece. In it a solo voice sings a melodic voice, usually with considerable ornamentation, over a rhythmically independent bass line. The bass line was actually a continuous bass.
