Cant be more wrong.
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Answer:
Proud
Explanation:
In this paragraph Muir talks about how despite being in a difficult situation, he had nature and the beauty of the Calypso to get him through it even when he was without food and shelter he found he didn't need it. He welcomes everything nature has to offer both the beauty and the storms. He uses words like "abounding inexhaustible spirtual beauty bread" which alludes to his naturalism philosophy. And he mentions that he feels "free as the winds" when he is out in nature.
Before Rosa Parks, A Teenager Defied Segregation On An Alabama Bus. A teenage Claudette Colvin refused to give up her bus seat to a white passenger during the segregation era in Montgomery
Answer:
This story may well be one of O'Connor's most humorous stories. Even though the story as it now stands appears to focus on the attempts of two equally unscrupulous characters to gain an advantage over the other, O'Connor, through the use of color imagery and somewhat obvious symbolism, manages to make the story more than merely a humorous tale. Yet it is the humor, ultimately, which first catches the attention of most readers.
Some of O'Connor's humor is similar, at least in part, to the tradition of such Old Southwest humorists (1835-1860) as Johnson J. Hooper and George W. Harris. Hooper's Simon Suggs and Harris' Sut Lovingood are both similar to O'Connor's Shiftlet. This is especially true in Shiftlet's "swapping session" scenes with Mrs. Crater. These swapping session scenes are also reminiscent of the Armsted-Snopes exchanges in the fiction of William Faulkner. Each of the major characters in O'Connor's story is aware that he, or she, has something that someone else craves, which slowly increases the apparent value of the offer until the final bargain is struck.
