Answer:
A) kids, it was not
Explanation:
; can be used to separate parts of a sentence which need clearer separation than would be shown by a comma, to separate main clauses which have no conjunction between, and to separate phrases and clauses containing commas
, is used to keep distinct information separated. It helps the reader understand how the ideas in the sentence work together. Although many writers benefit from reading aloud commas as pauses while proofreading, a comma does not always represent a pause in a spoken sentence.
Answer:
In the second paragraph of the excerpt above, Harriet Beecher Stowe, the author of the novel, writes the entire paragraph as one sentence. This gives the paragraph importance. It draws attention to itself and she is telling us that the information is important. In the second paragraph, she writes "Then you shall be courteously entreated to call and examine, and shall find an abundance of husbands, wives, brothers, sisters, fathers, mothers, and young children, to be "sold separately, or in lots to suit the convenience of the purchaser;". " Instead of calling them "slaves", She calls them "husbands, wives, brothers, sisters, fathers, mothers, and young children," By doing so, she humanizes the enslaved people. She reminds the readers that this was happening to real people. By humanizing them, she makes she puts un in their shoes. She reminds us that if this atrocious act can be done to other people, it can also happen to us. By calling them "husbands, wives, brothers, sisters, fathers, mothers, and young children,", she is relating to the theme of slavery vs. family.
Explanation:
hope this helps :)
Answer:
I think B
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good night sweet dreams
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please Mark me as a<u> </u><u>BRINLIEST</u>
This question is incomplete, here´s the complete question
White Noise
, by Don DeLillo
"I was convinced she was saying something, fitting together units of stable meaning. I watched her face, waited. Ten minutes passed. She uttered two clearly audible words, familiar and elusive at the same time, words that seemed to have a ritual meaning, part of a verbal spell or ecstatic chant. Toyota Celica. A long moment passed before I realized this was the name of an automobile. The truth only amazed me more. The utterance was beautiful and mysterious, gold-shot with looming wonder. It was like the name of an ancient power in the sky, tablet-carved in cuneiform. It made me feel that something hovered. But how could this be? A simple brand name, an ordinary car. How could these near-nonsense words, murmured in a child’s restless sleep, make me sense a meaning, a presence? She was only repeating some TV voice. Toyota Corolla, Toyota Celica, Toyota Cressida. Supranational names, computer-generated, more or less universally pronounceable. Part of every child’s brain noise, the substatic regions to deep to probe. Whatever its source, the utterance struck me with the impact of a moment of splendid transcendence. I depend on my children for that."
Why is this quote significant?
Answer:
Steffie mumbling “Toyota Celica” in her sleep shows the constant presence of technology as threatening and comforting at the same time, which is a prevailing theme in DeLillo´s novel.
Explanation:
In the same way that the airborne toxic cloud of dangerous chemicals paradoxically creates beautiful sunsets, Jack finds beauty at those marketing terms in the voice of the sleeping child.
Answer:
there is one dogs <em><u>but</u></em><em><u> </u></em><em><u>on</u></em><em><u> </u></em><em><u>the</u></em><em><u> </u></em><em><u>other</u></em><em><u> </u></em><em><u>side</u></em><em><u> </u></em><em><u>there</u></em><em><u> </u></em><em><u>are</u></em><em><u> </u></em><em><u>to</u></em><em><u> </u></em><em><u>many</u></em><em><u> </u></em><em><u>dogs</u></em>
<em><u>on</u></em><em><u> </u></em><em><u>the</u></em><em><u> </u></em><em><u>tree</u></em><em><u> </u></em><em><u>there</u></em><em><u> </u></em><em><u>is</u></em><em><u> </u></em><em><u>only</u></em><em><u> </u></em><em><u>one</u></em><em><u> </u></em><em><u>mango</u></em><em><u> </u></em><em><u>but</u></em><em><u> </u></em><em><u>on</u></em><em><u> </u></em><em><u>the</u></em><em><u> </u></em><em><u>other</u></em><em><u> </u></em><em><u>tree</u></em><em><u> </u></em><em><u>there</u></em><em><u> </u></em><em><u>are</u></em><em><u> </u></em><em><u>4</u></em><em><u> </u></em><em><u>mangoes</u></em>