I don't know if there are any options, but my first guess would be - image. In his early imagist phase, Pound wanted to get rid of abstractions that were nearly the sole focus of the 19th-century romantic poetry. Instead, he aimed for pure visual images as signifiers of the world around us. He preferred simplicity as opposed to complex philosophical concepts. For example, instead of writing about nature as a source of spiritual nourishment (such as the romantic would have done), he wrote a 2-line, free-verse poem about people who are standing in the station of a metro, waiting for their train to arrive, and resembling "petals on a long, wet bough". The whole poem is an image, absolutely devoid of abstractions.
Answer:
Qualitative, ordinal.
Explanation:
A qualitative variable is referred to qualities, not numbers. For example: mood, weather season, gender...
A ordinal variable are those that have a define order, like weather stations that has an specific order to happen and that makes it predictable.
Answer:
B). Content of the text.
Explanation:
The rhyme pattern of a poem would be regarded as a part of the content of the text as the content influences the form and rhyme pattern of a poem. If the content includes a message, then the rhyme pattern would echo the author's voice by offering vivid imageries in order to convey the ideas more effectively. Rhyme patterns may include alliteration, assonance, slant rhyme, thorn rhyme, etc. depending on the content of the poem. Thus, the rhyme pattern of a poem could be considered as a part of the 'Content of the text'. Hence, <u>option B</u> is the correct answer.
Excuse me what is an Viceroy?
