Answer:
1 he is in the elevator going into the glade
2 poop no a joke 100% serious
3 alby is the first man on the glade
4 they are tiny metal worms that are 10 inches long and have 12 legs.
5 chuck is the nicest to him and he is trying to help him
6 they both have an advanced corporation leading them through a post-apocolyptic world.
Explanation:
Answer:
Circumstantial evidence, in the context of law, means evidence that can only be proven through the support of another fact.
Explanation:
In other words, the evidence cannot stand on its own. In the context of the example, for example, it would be that the bus driver was found guilty of murder since his fingerprints were found in the scene of the crime.
However, his fingerprints alone do not tell us who is the culprit of the murder - it's possible that his fingerprints were there because he and the murder victims were close friends, and thus his fingerprints can be found all over the apartment.
When relying merely on circumstantial evidence (such as one previously exemplified), it is possible that the evidence is misattributed. A piece of stronger evidence would be direct ones, for example, if the murder weapon was found on him, or if there were eyewitness report showing that he was at the scene of the crime when it occurred.
Answer:In the beginning of the year, Melinda has a difficult time working with the tree. She begins by using watercolors to present the tree as a depiction of herself-- wounded. "I try to paint them so they are nearly dead, but not totally," (30-1). Her trees are alone and surrounded by darkness, which represents the way Melinda feels about herself during this time.
Explanation:In the novel Speak by Laurie Halse Anderson, Melinda is given the task of working with a tree as her object for the year in Mr. Freeman's art class. This is not coincidental, as the tree symbolizes Melinda's growth throughout the novel.
In the beginning of the year, Melinda has a difficult time working with the tree. She begins by using watercolors to present the tree as a depiction of herself-- wounded. "I try to paint them so they are nearly dead, but not totally," (30-1). Her trees are alone and surrounded by darkness, which represents the way Melinda feels about herself during this time.
