Dear Mr/Mrs _____,
I am writing to you about my concern for the noise that is being made in the school, and how it is disrupting me and others’ ability to work.
It would be sincerely appreciated if you could take this issue into regards, and talk to the people concerning the disruption.
Sincerely, _____,
Year ___.
ctually it tracks the movement from 1848 through a series of obstinated state campaigns in Colorado in the 1890s and beyond. Marilley stresses the adaptability of the abolitionist legacy and admires the size of equal-rights ideology after the Civil War to contain a variety of goals for women, including goals to protect women.
<u><em> Suzanne Marilley’s history of the suffrage movement is referring to the full history from 1820 to 1906. The most innovative contribution comes from the author’s research in the Colorado suffrage victory in 1893, which offers an excellent analysis of state politics. </em></u>
In this case study she closely examines the political context and the array of liberal and illiberal arguments used simultaneously to gain the support of various constituencies. She manage to write about the social context of male control over most features of women's lives. She points to a hypersexualized American popular culture that presents women with “self-actualizing sexuality that still hinges on male approval” and persistent labor discrimination and maintains that the feminism that helped change marriage and possibilities for girls can fulfill its “promise” for social change.
<u><em> She credits feminists who build coalitions to effect social change—for example, the twentieth century abortion reform movement culminating in Roe v. Wade victory represents concerted efforts of “physicians, psychiatrists, and family planning professionals along with activists.” </em></u>
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Answer: B
Explanation:
When I write a story, I want an emotion. If anything, I want to hurt my readers. I write such tales with "heroic" characters that I end up showing their backstory out of order.
I start from the prettiest and shiniest parts of his story, to finally, the beginning where it shows his roughest and grittiest side. With this idea, I give the impression of a good man, but when I show his gritty and bad side, it will probably make the reader feel betrayed. Like they thought they knew him but they really didn't
Now, if I were to show his backstory in order, we get a generally normal reaction. A man commiting crime turns good and starts fighting crime.
