This is false it can still be a good source
Answer:
B
Explanation:
Remark
What huck sees and how he interprets it is what this short comment is about. I would pick
<em>Despite his lack of formal upbringing, Huck has good intuition when it comes to reading situations.</em>
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Yes, he exaggerates some, but the exaggeration does nothing to distort what he's looking at.
He doesn't always look for humor and sometimes he just plain wrong. I think it's Chapter 16 where Jim talks about the value of children and concludes that Solomon was not as wise as he was made out to be. Jim's insightful analysis is way above Huck's head and the passage is neither funny nor Jim's analysis exaggerated.
In Flowers for Algernon, Charlie and Algernon are both connected. Algernon was the first to "become smart," and Charlie followed. The reader knows from the beginning that their fates are intertwined; what happens to Algernon happens, at some point, to Charlie.
Algernon and Charlie both had their intelligence increased, and both became abnormally intelligent. Algernon and Charlie enjoy a bond that is both a deep connection and a symbolic relationship. In a literary sense, Algernon symbolizes Charlie.
As Charlie becomes smarter, he sees the connection as well. He understands that Algernon's behavior foreshadows his own fate. Therefore, when Algernon's behavior alters, Charlie knows that it is more than likely to happen to him as well. Thankfully, Charlie is so smart at this point that he is in a position to try and delay any changes from happening to himself. That's why he begins to work so intensely. With his great mind, Charlie is attempting to find any way he can to stop the changes from occurring within his own mind.
Sadly, of course, Charlie learns that it is not possible. His great intelligence could not save him from his fate, a fate that mirrors that of Algernon. Both were allowed only a brief moment of glory, despite the best efforts of those who tried to make this brief moment last.
After he had gone deaf, Beethoven composed his famous, Fifth Symphony<span>. </span>
