Answer:The first advantage has to do with clarity and pace—points that coalesce in my mind as story density.
A second advantage of the nonlinear story is that authors can demonstrate a character’s depth and create a compelling story question at the same time.
A third advantage of the nonlinear format is that the writer can increase tension by presenting information out of cause-and-effect sequence.
Explanation:
A. The plural possessive forms of the following nouns are:
1. Friend = Friends (Plural) = Friends' (Plural Possessive)
2. Box = Boxes (Plural) = Boxes' (Plural Possessive)
3. House = Houses (Plural) = Houses' (Plural Possessive)
B. The possessive nouns in the following sentences are:
4. Scientists' = correct
5. Peoples' = INCORRECT = People's (Correct)
Answer:
Risk-taking increases between childhood and adolescence as a result of changes around the time of puberty in the brain’s socio-emotional system leading to increased reward-seeking, especially in the presence of peers, fueled mainly by a dramatic remodeling of the brain’s dopaminergic system. Risk-taking declines between adolescence and adulthood because of changes in the brain’s cognitive control system – changes which improve individuals’ capacity for self-regulation. These changes occur across adolescence and young adulthood and are seen in structural and functional changes within the prefrontal cortex and its connections to other brain regions. The differing timetables of these changes make mid-adolescence a time of heightened vulnerability to risky and reckless behavior.
I think men and women can work equally as hard…this question is circumstantial and s t u p i d
1. Hamlet feels sorrow, regret and finally despair as he pronounces his soliloquy.
2. He realises that his awe is small compared to the burden of death we all carry, so he must "think bloody" from now on.
3. The audience should feel sorry for him, at first, but it should change by his conclusion.
4. The actor should be slow paced, almost still at first, then energetic and louder towards the end. His facial expression must go from sadness to anger, to madness.
