In the beggining, Joise had a terrible attitude towards everything. He explained to the reader how disappointed and bored he was to go on this trip in Coloma, California. Only his father stayed exited to show them the setting of California. But triple G, his great, great grandfather was a hero and great inspiration to him. After getting an assignmnet to write about a historical figure, Triple G, was his obvious choice. Motivated he wanted to find some facts on his great-great grandpa. Going to the library, he found out the truth about his heroic grandpa:/ and he wasnt so heroic anymore.
Remember the beggining? he had attitude? Now he comes to his father to tell him the secret he had firgured out with facts to explain how Triple G couldnt have been all that he says he was. Afterwards, Joise, realized that he had sadend his father. His character changes and also becomes sadned, like the story states, "his heart sank," after reading the 3 sentences he had only found on triple G.
i hope this makes sence:P
and i hope it helps
<span>:D</span>
Answer:
the issues of human rights violations to government communities are increasing so inorder to minimize it you need to teach people about the importance of human rights
Answer:
Option C
Explanation:
“An Occurrence at Owl Creek Bridge” is an elaborately devised commentary on the fluid nature of time. The story’s structure, which moves from the present to the past to what is revealed to be the imagined present, reflects this fluidity as well as the tension that exists among competing notions of time. The second section interrupts what at first appears to be the continuous flow of the execution taking place in the present moment. Poised on the edge of the bridge, Farquhar closes his eyes, a signal of his slipping into his own version of reality, one that is unburdened by any responsibility to laws of time. As the ticking of his watch slows and more time elapses between the strokes, Farquhar drifts into a timeless realm. When Farquhar imagines himself slipping into the water, Bierce compares him to a “vast pendulum,” immaterial and spinning wildly out of control. Here Farquhar drifts into a transitional space that is neither life nor death but a disembodied consciousness in a world with its own rules.
