ITS CALLED.... DADDAD BUM BUM................. art
Answer:
yes, 4 glasses so far :) stay hydrated!
Explanation:
Answer:
Ann Hurst has lived and painted in Lions Bay since 1980 and is still amazed by the stunning and ever-changing array of scenescapes all around….Whistler, Howe Sound, North Shore and Vancouver…. that provide the inspirations to capture the moment.
Ann studied with Frances Landsberg at Studio-by-the-Sea, in West Vancouver, whose mentoring brought out the best of her natural impressionist talents. She was guest-artist in the BC Pavilion at Expo 86, and over the years a featured artist at many art shows and galleries in the area, including her own First Street Gallery. Her art has been featured on Lions Bay annual banners on several occasions, and has been donated to many worthy causes. Five art card series of 6 cards each: Blackcomb, Whistler, Sea to Sky and Vancouver 1&2 have been very popular gifts, still available today.
Ann is admired widely for capturing both the impression and the emotion of a scene in luminous watercolours and rich, bold oils. Her paintings are loved in homes all across Canada and in the USA, UK, Italy, and elsewhere.
Today, her Lions Bay home is her gallery, open by appointment.
Explanation:
Lighting has come to be an important component of cinema's visual design. It is widely recognized that in film, as elsewhere, it can create a substantial emotional impact. A primordial response to darkness and light is a deep-seated element of human psychology that filmmakershave harnessed in order to influence the ways viewers respond to narrativedevelopment. On the one hand, deep shadows can make a character seem untrustworthy or conceal a host of horrors. On the other, bright, diffused lighting can provide comfort and reassurance or create the impression of an angelic countenance. Extremely bright light can cause discomfort, though, and can even be used as a weapon, as inRear Window(1954) andThe Big Combo(1955), where it dazzles the villains and halts their advance.
Brightness is only one variable of lighting that can contribute to the effect of a scene. The choices the cinematographer makes about what kinds of lights will be used, how many there will be, and where they will be placed all require careful consideration. Moreover, color andblack-and-white cinematography each allows for different lighting effects. Colored lighting can give rise to a range of subjective impressions that may be systematically used throughout a film for atmosphere, as in the moody and heavily stylizedBatman(1989), or for metaphorical significance, as inVertigo(1958) when Scottie (James Stewart) persuades Judy (Kim Novak) to transform her appearance into that of the dead Madeleine (Novak). When she emerges from her bathroom made over into Madeleine's image, she is bathed in a green light, its supernatural associations accentuating theuncanniness of the resurrection of her alter ego.
<span>
<span>
</span></span>
