Anton Chekhov conceived of this play, which turned out to be his last, as a comedy,designating it “A Comedy in Four Acts” and even emphasizing to the Moscow Art Theatre that the last act should be “merry and frivolous.” He suggested that some portions were even farcical. Nevertheless, most interpretations and theatrical productions have emphasized its tragic aspects. It is understandable why the playwright’s intentions have been largely disregarded; the subject is a serious and depressing one including the family’s loss of their ancestral home and removal from it and other sad developments as well. The destruction of the orchard also represents the destruction of illusions—sad, to be sure, but perhaps hopeful.
Thus, as the inevitable change in society with the dawning of the 20th Century comes, the play represents this time period and portrays an end of an aristocratic era with both tragic and comic elements. The play is best characterized as a tragicomedy.
The word in the sentence that is
the predicate adjective: Hannah was generous in offering to help care for the
little stray kittens, is little stray.
The poet, Yeats, is describing the daily routing of an old mother. He presents his ideas in a poem describing how she completes those activities. He is descring the old woman as hardworking and tired, and he presents these ideas in the last line, where it says that she must work because she is old and the seed of the fire (a lantern most likely representing her life or her day) gets feeble and cold (it ends). In essence, the author describes the old woman as harworking and tired, and at the end of the day, the "fire," or the Sun, grows feeble and cold, signifying that the day is ending and the cycle will begin again tomorrow.
When the reader reads “To Autumn” the prevailing mood in this poem is very tranquil, “mist and mellow” creates a soft and gentle mood. “Thy hair soft-lifted by winnowing wind” fortifies the engagement of a mood of tranquility when read. The mood here is a relaxing, gentle and gracious.
