Answer: The right answer is "moving from the details of the individual hieroglyphics to the big picture of hieroglyphics being both representations of sounds and symbols."
Explanation: Just to elaborate a little on the answer, in this excerpt from James Cross Giblin's entertaining account of the discovery of the Rosetta Stone and its translation by French historian Jean François Champollion (1790-1832), the narrator is pointing out that reflecting upon the hieroglyphs further gave Champollion a chance to understand that, far from simply representing the sounds that identified the names of the pharaohs, or, as some scholars thought, having solely a symbolic meaning, hieroglyphs were both sounds and symbols. He, therefore, advanced the knowledge on the spoken language of ancient Egypt.
Answer:
Lysistrata.
Explanation:
The word “satire” made its way into the English language in the sixteenth century. In 411 BC, the ancient Greek poet Aristophanes wrote Lysistrata. In this satirical comedy, the protagonist Lysistrata convinces women to withhold sex from men in an effort to convince them to end the Peloponnesian War.
Answer:
"'Nothing Gold Can Stay' is a short poem written by Robert Frost. The poem deals with the idea of impermanence, life and death. Frost uses paradox, juxtaposition, and personification in the poem to emphasize his messages. The poem is a composed of four rhyming couplets."
Explanation:
https://study.com/academy/lesson/robert-frosts-nothing-gold-can-stay-poem-meaning-analysis.html
